But anyone with more than a couple years of listening to the genre under their belt can attest: trends in trance can change faster than seasons do. There is always a exciting new sound to explore for a producer, or an inspiration from outside the genre that results in something fresh and quirky, there’s always room for personal growth as an artist by broadening your production skills, there’s always a song idea coming from a vocalist that would work great as a mellow progressive tune… In other words, it can be rather hard – and, one might argue, even detrimental – to pigeonhole yourself into one particular style or sound throughout your entire career. It is no surprise then, and certainly no crime, that Roman Messer’s four earlier studio albums covered a very wide spectrum of sound that could broadly be described as modern trance music in general and even some things on its fringes.

But the time has finally come to pay a proper tribute to the true trance sound that Roman has always loved. ‘For All Time’ , Roman Messer’s brand new fifth studio album, is all about that profound majestic feeling of flight which, arguably, only uplifting trance can give you.

What might seem like a career anniversary milestone celebration of some sort – after all, Roman’s brainchild Suanda Music turned 10 years old this year, and his professional career as a producer with signed releases is only about a year older than that – is, in fact, a project that’s been in the making since long before 2023. Long-time followers undoubtedly took note of Roman’s overall focus on uplifting trance lately, and he even reworked some of his biggest progressive anthems into supercharged “Full Fire” versions over the last few years. Glancing at the album’s tracklist, one might notice a couple of tracks that were first presented all the way back in 2020; indeed, every now and then, Roman put a special track or two aside for the uplifting trance album that he had been planning, with work on said album really picking up the pace once the producer fully devoted his studio time to the project. A risky one, perhaps, according to his own admission – after all, the world of trance has plenty of styles and there’s always a chance that listeners might prefer more variety on an LP – but a very deliberate one, as Roman felt he was long overdue to pay tribute to the sound that he loves and share this love with his like-minded followers and proselytize the more sceptical ones.

Apart from Roman’s own solo productions, ‘For All Time’ sees a fair share of his collaborations with musicians ranging from Roman’s own all-time trance idols, like Alex M.O.R.P.H., Emma Hewitt, Roxanne Emery and Christina Novelli, to rising stars that he himself helped grow through his own earlier productions and through his label. Vocalists like Cari, Joe Jury and Diandra Faye saw a surge in their own popularity and demand in the trance scene after working with Roman, while artists like Skyvol and NoMosk are among Roman’s favorite producer talents at the moment and are tipped by him to have a very promising future ahead with their excellent sound. Something else that connects Roman’s album to the surrounding trance scene is the inclusion of his versions of some of his personal favorite classics throughout the years. The vocal anthems “Silence” and “Need To Feel Loved” have always been among Roman’s most cherished trance works, and although the producer was initially hesitant to rework them fearing that he wouldn’t be able to do them justice, the end results proved very popular with the trance crowd, ending up being some of his most in-demand tracks lately.

A self-admitted bold experiment – complete with a fully solo open-to-close club night to celebrate its launch, which isn’t done all that often in trance music these days – and a heartfelt love letter to the genre that shaped Roman’s own tastes and his music career. Full of sonic adventures through the landscape of modern uplifting trance from start to finish, ‘For All Time’ is intended to, you guessed it, stand the test of time and remain one of the centerpieces of Roman’s discography for years to come.

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Titus1 and Roger Raw teamed up for a groovy and emotional new release titled ‘Ground’ on Deeper Harmonies label. This collaboration from two highly respected and talented acts takes us on an emotional, uplifting and introspective journey. Inspired by the contrast between melodic techno and progressive house, this track from Titus1 is another example of his genre-crossing, versatile nature. The Canadian DJ and producer uses his experience and knowledge to create a musical experience that showcases his musical prowess and keeps us coming back for more.

The track has a warm, analog feel with layered synths, lush pads, and a rolling bass line that creates movement and depth throughout the song. The percussion is tight and minimal, allowing space for the melodies to breathe, while subtle leads add an organic touch. Overall, the track blends deep, emotive melodies with a driving yet atmospheric groove. It’s a standout with its evolving synth layers, cinematic breakdowns, and a crisp, punchy low end that keeps the energy flowing. Tension builds and resolves in this emotional sonic voyage that keeps listeners hypnotized and engaged.

Be sure to check out ‘Ground’ for yourself, out everywhere now!

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About Cave Studio

Blasting onto the international scene, Cave Studio has rapidly become a powerhouse in the Tech House world. Initially discovered by Tchami and backed by his Confession label, the duo has since earned the trust of major imprints like Insomniac, Terminal Underground, and Repopulate Mars. Their standout releases, including ‘Shake The Dice”'(over 2 million streams) and ‘Party People’ (1 million+ streams), have shown their ability to craft tracks that dominate both streaming platforms and dance floors.

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The track’s synth work is sharp and deliberate, layering glitch effects with melodic progressions that hit at just the right moments.  Meanwhile, the basslines bounce with precision, giving the track a relentless drive that commands the dance floor. The result is a remix that feels as cinematic as it does club-ready. Its perfectly aligning with Marc Antonix’s known style for generating genre-bending, festival-sized anthems. Be sure to check out I’ll Do It (Heidi Montag Remix) for yourself, out everywhere now!

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TATE SEDAR is putting it all out there with THIS IS POST-EDM, out today. The EP encompasses a genre-blurring, rule-breaking project that bridges the energy of the 2010s EDM explosion with fresh, forward-thinking production.

After racking up 500,000+ streams last year, securing radio play for “Our Goodbye” with Liv Kennedy, and closing out 2024 alongside R3hab at Avalon Hollywood, SEDAR needed a new creative direction. That moment arrived with post-EDM—a term he coined to describe his sound, blending the realms of the digital and analog together. Now, the EP lands as both a mission statement and a launchpad for what’s next. With each song revealing another layer to the process.

“San Francisco” sets the tone, channeling SEDAR’s Motown, hip-hop, and rock influences into a bass-driven groove that moves effortlessly between classic and contemporary.

“Emotions” (ft. P$YCHEDELIC) dials up the unpredictability, fusing house, trap, and lo-fi hip-hop into a sound that refuses to be boxed in. Featuring viral rapper P$YCHEDELIC, it’s a nod to SEDAR’s commitment to blending styles rather than following trends.

“Our Goodbye” (w/ Liv Kennedy) trades bombastic festival drops for electro-infused dance-pop, balancing emotional weight with radio-friendly hooks. It resonated beyond the underground, so to speak,  landing at #18 on Nexus Radio and earning SiriusXM BPM airplay.

“Coming Home (I.M.U)” steps into progressive-house territory, capturing the restless energy of a producer constantly on the move.

“Dream” (ft. Otto Palmborg) signs off with a cinematic, weightless drop, driven by chopped vocals and an atmosphere that feels tailor-made for closing out a set – or getting lost in thought.

For SEDAR, THIS IS POST-EDM is a pivot away from being locked into the predictable loops of festival anthems,  instead embracing contrast and experimentation. With ten of millions of streams to his name, a breakout moment on Insomniac’s Discovery Project, and support from heavyweights like R3hab, Don Diablo, and Wolfgang Gartner, TATE SEDAR has put together a work both timeless while telling a story.

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Today, Elohim released a beautiful new cover of ‘Sail’ as a part of the Deluxe Edition her album Power of Panic. The cover breathes new life into an album already layered with emotional weight. ‘Sail’, Elohim’s stripped-down rework of AWOLNATION’s defining anthem, dials back the intensity and replaces it with an intimate, vulnerable delivery. The defiant energy of the original morphs into a quiet contemplation, transforming its raw power into something hauntingly personal. ‘Scratch My Brain’ interrupts the album’s structure with an interlude that feels like a fragmented internal monologue, shifting the listener’s sense of time. ‘Patience’ pulls tension to the forefront, simmering with unease, carrying the weight of restless uncertainty, and reflecting anxiety’s relentless hold.

With Elohim’s 50 million global streams, Power of Panic swiftly achieved critical acclaim with essential tracks like “Can’t Remember Your Name”, “Tiny Human”, and “Didn’t Sign Up For This” finding their way into Spotify’s ‘Women of Electronic’ and ‘Dance Rising,’ and Apple Music’s ‘Future Hits’. The album saw more support through Amazon’s ‘Brand New Music’ and Audiomack’s ‘Best of the Week: Electronic’, only adding to the pile-on of positive reception.

About Elohim

Trained in classical piano but drawn to the lawless terrain of electronic music, Elohim has carved out her own lane and reaped the benefits. Her fusion of pop, bass-driven electronic, and alt sensibilities turned heads early, leading to collaborations with the likes of Skrillex, Marshmello, Louis the Child, and many others  Focusing on Power of Panic, the album marked a saga for the artist – it was a fight to reclaim herself. At a breaking point from relentless touring and spiraling anxiety, she found herself leaning on benzodiazepines just to get through. When the walls started closing in, she had two choices: let the downward spiral take hold or fight to regain control. She chose the latter. Power of Panic became a sonic document of that battle.

With past festival performances under her belt such as Coachella, Lollapalooza, or EDC Mexico, or speaking directly to fans through her Sunday Scaries series, she’s been around the block when it comes to the music industry circuit on and off the stage. Deluxe Edition seeks to show a dive into the narrative she’s been constructing all along. In an industry that often prefers polished surfaces, Elohim offers something that cuts through the noise.

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In May of 2024, Canadian Alt Rock Group MENEW teamed up with DJ Dzeko for their latest single ‘Never Us’. The pop-leaning dance record was a catchy and melodic EDM track the leaned more in the pop lane, not dissimilar from some of Dzeko’s most notable works. The record performed well at Dance radio in the US, gaining some momentum and breaking on to the dance and mix-showairplay chart during the summer.

In August, the group came back with an even more EDM leaning version of the record alongside the DJ, BYOR. This remix was a hard hitting, fast paced dance beat that brought the band into a completely different space. This record did not have that same pop flare, instead this remix shined as a beacon of the EDM genre, with its driving drums and synth melodies.

About MENEW

MENEW (pronounced ‘menu’) [aka. Brothers] are an alternative indie rock band composed of three brothers; Shade (lead vocals, guitar), Key (piano, synthesizers) and Nathan Samuel Phillip (drums, vocals). Their sound derives from a background of classical music training and British rock influence.

“If Muse, Coldplay and The Killers had a genius, dirty lovechild – it’s name would be MENEW.”

– Loudwire

MENEW’s debut album Wide Awake Hello and follow up Mother Nature met much critical acclaim when short-listed for eight Grammy Nominations and have had placements on major networks including NBC, CBS, MTV, ESPN and films worldwide. They have since been featured on Network television including the Late Show with David Letterman and have toured and performed alongside artists such as U2, Stone Temple Pilots, Akon, Filter, Weezer and Linkin Park.

MENEW’s acclaimed single ‘Baby You’re like A Drug’, produced by Matt Wallace and mixed by Chris Lord Alge, released in 2016. The music video was directed by Josh Butler, and stars Joshua Jackson. The band’s new EDM side project Brothers, debut single ‘In Cali’ released in 2017 opening the Cannes Film Festival with a performance at Gotha Club alongside Hip Hop artist French Montana. Their new EDM track ‘Overdrive’ released 2019, coinciding with a European club tour including shows in Cannes, Monaco and St. Tropez.

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The release follows Lonely Computer’s recent guest mix on SiriusXM’s Electronic Chill and features on Triple J, further cementing his presence in the electronic scene. With more singles, an EP, and live shows on the way, Lonely Computer continues to be an artist to keep your eyes on.

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TONG, based in Los Angeles and originally from China, is an up-and-coming DJ and producer known for her unique fusion of house and dance music. With a bold approach to sound, she experiments with a wide range of genres to carve out her distinct style. In 2022, TONG won the EDC Orlando Discovery Project with her remix of Matroda’s ‘Gimme Some Keys’, released on Insomniac Records. Since then, she has worked with prominent labels like Insomniac, Hexagon, and Toolroom, releasing tracks that showcase her evolving sound.

In 2024, TONG won the Toolroom Remix competition, and released the official remix for Essel. As she continues to explore new musical directions, TONG’s passion for innovation and her dedication to her craft keep her on an exciting path in the world of electronic music.

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Gproject, a high-energy electronic music duo from Israel, were honing their craft for quite some time. Each member has a distinct Psytrance anthem impressed upon the dance scene. Together, they now deliver a truly epic new track ‘The Moment’. This single is more than set on captivating audiences worldwide, with the addition of fellow Israeli DJ/Producer Coexist. The end result is a track that can’t be missing from anyone’s hard-hitting playlist this year. Returning on Vini Vici’s imprint, Alteza Records, ‘The Moment’ arrived at the most fitting of times. It marks a successful 2024 for both Gproject and Coexist, and of course, paving the foundations towards a brighter 2025 ahead.

Infusing their signature sound(s), Gproject and Coexist can only be described as a match made in heaven. With each act perfectly embodying their passion towards their respective craft, the combined result is nothing short of spectacular. ‘The Moment’ is a psy rave anthem that will tear up clubs and festivals all around the globe. It incorporates a vast array of high energy musical elements, whilst maintaining the most infectious drop that leaves listeners begging for more. Dynamic but yet invigorating, be prepared to immerse yourselves in a musical experience like no other.

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