Internet Niche Fame releases on October 30th, and the second single, ‘motion sick’, is available now via Zorza’s 4ever label.

Zorza x NCMF x EDMTunes

We’re here at North Coast with Zorza. How are you?

I’m great. How are you?

I’m well, thank you! You just got off the stage at the Shipyard. How do you feel?

Sorza: I feel good; I’m buzzing with energy. It was really fun.

Jay: What does it mean for you to come back to Chicago?

I think it’s really exciting. Last time I played North Coast, I played in the Chill Dome, which was a very different vibe than the Shipyard stage. It feels really good to be playing back and see a lot of repeat fans, which is really cool.

That’s exciting, whenever you’re able to recognize some friendly faces in the crowd. There are people away from home that still support you nonetheless.

Yeah.

You just announced the release date for your debut album, Internet Niche Fame. How does it feel to play a set after you have all that new music coming soon?

Really exciting yet scary. In my set today, I played a lot of album songs that I hadn’t tested yet. They all did great, so I feel good, but leading into it, I was a bit nervous because it’s a bit different. I still think it’s very much my sound, but it’s a bit different than some of my other really Techno-leaning sets.

I do really enjoy the visual aspect of the album cover. Can you talk a little bit about the inspiration for the title and the cover art?

Sorza: They’re kind of inspired by a similar thing. With the title, Internet Niche Fame, I was writing a lot of the songs (there’s one in particular) where I was just reflecting on my journey as an artist and how I’m obviously not the biggest artist out there, but through these little communities on the internet, I’ve been able to tour all over the world, meet so many people, and do so many things that in the past, without the internet, that wouldn’t have been available. So, that’s the niche aspect of it, and those niche Hardcore fan groups.

And then on the other side of that, the internet, and putting music out on there is just so chaotic. There’s so much happening everywhere. And I wanted the album cover to reflect that chaotic nature, and my attempt to break through that chaos and find my own path in it.

I was trying to get some of the track names on the album cover, and I was twisting my eyes. There’s a few there, but you have to really look into it.

I made it chaotic on purpose, so it’d be difficult to read it.

Your lead single for this album is called ‘Haunted’, which speaks to the reinvention and the self-reflection of trying to keep your identity safe while trying to achieve change. Do you think there was a specific point in your life where you noticed this, that you were potentially changing, not for the best?

I don’t think it was not for the best, but I think a lot of the album, when I was writing it, I was reflecting on where my career was about a year, a year and a half ago. I was quite in the Hard Techno scene, which I love, but I didn’t fully feel like I fit in there, and that my music didn’t fully fit in there. With a lot of the album, and even ‘Haunted,’ I’m haunted by the idea that I want to do something different.

I kind of wanted to change. A lot of the other songs on the album are not precisely Techno; there’s variety. I want to say there’s some Trap, some Witch House. It’s still very much Techno, but I’m just haunted by how scary it can be to try and change. At the same time, that’s what excites me. That’s what I wanted to do with it.

What do you feel the turning point was for you? When you realized, okay, this is not for me, I already know what vision I’m going for? How do you take this opportunity to grow and use the internet to your advantage?

I was having these thoughts about a year ago. I had been coming off of so much touring; I was quite burnt out from it. And throughout, I didn’t have time to sit down and make music. I took a little bit of a break, and really focused on making music and what I loved about music from the beginning.

Then, I realized I wasn’t fully making stuff that I wanted to make, but rather what I thought other people might want to hear. I realized that there are so many other communities out there where you can reach so many people, and people have so many different interests all over. I can play a Hard Techno set, but still throw in some fun Hyperpop, which I’ve always done, and I think people are really receptive to it. You can just see so much stuff that’s out on the Internet and then experience it in person.

A lot of your tracks, especially leading into this album, feel very deep and emotional. But then a lot of the BPMs are 150 over, right out on that energy. How do you wish that sound to be perceived?

I think that’s just my sound, because I’m still making fast music. The slowest song on the album is probably 140, which is pretty fast. Fast music excites me. This album feels like the most authentic music I’ve ever made, and it combines all the genres that have inspired me over the years and the diversity I like to see in sets.

People tend to get saturated very quickly when, from beginning to end, the set sounds the same. You do an incredible job offering so many different perspectives.

I get bored. I just get bored really quickly; that’s my biggest thing. That’s why I’m always changing the vibe and the genre during my set. That’s very much reflected on the album.

Are there any other influences we can expect from the new album?

I went back to the music I really loved in 2012, 2013. Witch house was very impactful to me. And the album is not even Witch House—there’s not even a track that’s Witch House, but the emotion that I feel from those songs is really reflected in the album, and it’s similar to that genre. I need to feel something out of it, and that’s what I always got with Witch House.

There was a comment on one of the Instagram posts that said: “This is so Dance Dance Revolution. Bring it back.”

I’m also bringing the euphoria. It’s always the mixture of the euphoria and the melancholy. That’s what gets me.

You had a little clip titled “Motion Sick” before the album release date; is that the next single we’re expecting?

It is coming out next Friday.

Oh, that’s very soon! Do you have any collaborations on the upcoming album?

There’s one collaboration with a Hyperpop LA artist I really love named Julia Cooper. And she is the only feature on the album, but she fits in so well it’s honestly one of my favorites—all the tracks are my favorite, but that one is really, really special.

Beautiful. We are very excited. And one last question: you run your own label, 4ever. I know you had some shows in Toronto and LA. When can we expect upcoming Forever shows?

Probably in the next year, but with 4ever, we have our first releases from artists other than myself coming up very soon. There are about three or four releases lined up for the rest of this year. I’m really excited to dig deeper into the music side of the label rather than just the show side.

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Stages and Production

Navigating the grounds proved that the festival organizers masterfully optimized the stadium campus. Bouncing between the massive open-air Stadium Stage, the high-energy structural labyrinth of The Vega, and the sanctuary that was The 360-degree Shipyard felt fluid. This was thanks to wide openings and minimal bottlenecking. Thus, attendees had easy paths to follow for music, food, drinks, and activities.

Production value reached dizzying new heights this year. Laser arrays cut through the humid Chicago night skies. These were paired with jaw-dropping LED wall mapping and pyrotechnics that made every headlining set feel like a stadium-sized spectacle. Furthermore, from the pulsing art installations scattered across the turf fields to the chill-out zones and experiential side-quests, every square inch of the venue buzzed with creative electrical current.

While North Coast has historically worn its Bass and House credentials proudly, the 2026 edition deserves immense praise for its uncompromising embrace of Techno and Hard techno. Industrial, pounding rhythms and relentless BPMs found a permanent home across the grounds. As a result, they drew massive, fiercely energetic crowds. The curation didn’t just nod to the underground; it put it front and center. This provided a dark, driving contrast to the euphoric melodies found elsewhere on the lineup. Standout Techno artists included Restricted, Holy Priest, Lilly Palmer, Alignment, Jazzy, and Byorn.

Best Sets

BUNT.: Bringing an infectious, positive warmth to the schedule, BUNT.’s set was an absolute masterclass in genre-blending groove. Melodic hooks mixed with Hard Techno beats created an atmosphere of pure, unadulterated joy. This had the entire crowd moving in unison. Moreover, the decks were set up in the middle of the crowd, coming even closer to each attendee. The cameramen jumped into the crowd, making everyone feel like they were part of the performance.

Marie Vaunt: Representing the absolute pinnacle of driving, high-octane sounds, Marie Vaunt commanded the Acid Techno contingent with surgical precision. Her set was a relentless journey through hypnotic, dark soundscapes. Furthermore, this kept the underground purists locked in from the first kick drum to the last.

Zorza: Delivering a masterfully crafted performance, Zorza proved why anticipation was sky-high for her set. Blending intricate sonic textures with Hyperpop and uplifting Hard Dance momentum, she carved out a Y2K niche that completely captivated the early-evening crowd.

Tchami: House music royalty graced the decks with an effortless cool. Tchami’s set was a masterclass in Future House and deep grooves, balancing timeless club anthems with fresh, bass-line-heavy cuts. In addition, these echoed off the stadium structures and reminded everyone why he remains a pillar of the electronic music scene.

Final Notes

North Coast 2026 proved that the festival isn’t just maintaining its momentum—it’s accelerating into a league of its own. It offers a masterclass in how to curate a multi-genre electronic lineup. Moreover, the lineup satisfied both the mainstream dreamer and the underground head. With short entry lines, an easy post-festival commute, and tons of afters, NCMF remains victorious.

The post [Event Review] North Coast Music Festival 2026 Was A Triumph appeared first on EDMTunes.

Whether you’re looking for an intimate club set or a headline performance at one of the city’s premier venues, fans can choose from a diverse lineup spanning Bass, House, Techno, and more. With events taking place throughout the city and near the festival grounds, there’s a late-night destination for every kind of fan, making the North Coast experience continue long after the final set.

Afterparties

The weekend kicks off on Thursday with a special party featuring Mersiv at Sound-Bar. Friday’s programming includes Tape B at Ramova Theatre, Dabin at House of Blues, Level Up at Sound-Bar, Jigitz at Hideaway, Wuki at LA Nightclub, and a Brownies & Lemonade Takeover at PoleKatz.

Saturday’s afterparties continue with GRiZ at Ramova Theatre, Ganja White Night at House of Blues, ARMNHMR presented by Passport at Sound-Bar, Marie Vaunt at Hideaway, JSTJR at LA Nightclub, Holy Priest at 115 Bourbon St., and Alleycvt B2B YDG at PoleKatz.

The weekend concludes on Sunday with Wankdat featuring a special Crankdat B2B Wooli performance at The Salt Shed, alongside Illenium at TAO, Slander at Sound-Bar, 33 Below at Hideaway, and 3BallMTY at PoleKatz.

For more information and tickets head over to this link.

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Zorza x NCMF Playlist

The ‘BADBOYS’ producer’s playlist wastes no time in ramping up the beats per minute. With plenty of intense influences from Hardcore, Gabber, Hyperpop, and Techno, the tracklist consists of aggressive melodies and synthy, stuttering vocals. In addition, Zorza blends in her original productions, including ‘Everything U Need’, ‘DJ Play That, One More Time’, and ‘Hyperdream’.

Her feminine rage blazes through her track selection, adding artists such as Ninajirachi, Frost Children, Horsegiirl, and Panteros666. Moreover, we listeners get to enjoy Belgian duo Promis3, who have three collaborations with Zorza. Of course, all three are added to this succulent playlist.

‘HAUNTED’

On top of this massive track compilation, Zorza released her newest single, ‘Haunted’, earlier this month. The track speaks on reinvention, identity, and the pull of the internet. Furthermore, it’s her lead single as she enters her debut album era. The single is available, alongside its own music video, through her independent label 4ever Music and Universal Music Group Canada. Nonetheless, we can expect Zorza’s debut album later this year.

It’s Zorza’s Summer

Zorza is a DJ and producer from Toronto, shaping a new wave of hyperpop, hyperdance, and trance. Her sound blends hard-hitting drums with nostalgic basslines, pop-leaning melodies, and high energy, creating a hybrid style that’s become instantly recognizable.

We’re in the middle of a packed summer for Zorza, who just played Fvded in the Park in Vancouver on July 4, Teletech x Amnesia in Ibiza. On July 15, she brought her 4ever Music showcase in full to two cities. In addition, she is coming up with a hometown stop in Toronto on July 24th and 4ever’s LA debut on July 25th in partnership with Code Red. Additional dates include IleSoniq in Montreal on August 9, and of course, North Coast Music Festival in Chicago on September 5.

North Coast Music Festival

Chicago’s largest independent music festival continues its 16th anniversary. Set to return September 4–6, 2026 at SeatGeek Stadium in Bridgeview, Illinois, North Coast further solidifies its reputation as one of the most diverse and forward-thinking festivals in electronic music – and stands as Chicago’s only independently owned electronic music festival.

Hosted by Collectiv Presents, North Coast continues to deliver a one-of-a-kind festival experience across the expansive SeatGeek Stadium campus. With six distinct stages, cutting-edge production, and a layout designed for comfort and exploration, the festival blends large-scale spectacle with intimate, curated environments.

The post Zorza Drops Exclusive North Coast Festival Playlist appeared first on EDMTunes.

Today we learned the first artists that will be performing on this year’s stages! The lineup brings together a powerful mix of heavyweights, fan favorites and rising stars with a mix of all different genres. Leading the lineup are Fisher, GRiZ, Illenium B2B Slander, Porter Robinson (DJ set), Ganja White Night, Gryffin, Wooli, and BUNT. Fans will also love the high-energy sets from Crankdat, Lily Palmer, Restricted, and Holy Priest. The bill also features Deorro, ARMNHMR, Dabin, AlleyCVT, Mersiv, Tchami, TroyBoi, and Jace Cicada.

Special moments are central to the North Coast experience, including a surprise guest (we have a few guesses who this might be!) B2B with Tape B, a full-day curated stage from UK standout Sammy Virji, and the return of the fan-favorite Brownies & Lemonade Stage Takeover.

Beyond the music, attendees can explore North Coast’s expansive festival grounds filled with interactive art installations, themed lounges, hidden bars, roaming performers, and immersive spaces like the Chill Dome and Yacht Club, creating a vibrant, multi-sensory environment throughout the weekend.

With more artists and experiences still to be announced, the intial lineup sets the tone for another standout year!Tickets go BACK on sale January 30 at 12PM CT. Plan accordingly to get the best price for the very memorable weekend!

Check out the ticket link here and the main website for more info!

The post North Coast Music Festival Unveils Outstanding Diverse Lineup for 2026 appeared first on EDMTunes.

Day One

It was a beautiful weekend in Chicago, with sunshine and highs in the 70s. The buzz of Day One was undeniable, as three full days of music stretched before us.

The Chill Dome lineup kicked off with SVDDEN DEATH today, before his SVDDEN DEATH PRESENTS VOYD set later that night at the Mega Vega stage. This highly anticipated Chill Dome set was made possible with underground Chicago promoters Redline for ‘Redline presents: The Core.’ The set showcased this heavy riddim icon’s rare ‘DEADROOM’ experience–where fans could experience a deep dive into SVDDEN DEATH’s dark house sound. This day-long takeover transformed The Chill Dome into a radiation-soaked, glowing reactor – pushing the space’s production capabilities to their full potential.

It was a tough act to follow, but North Coast knew what they were doing stacking the rest of the night with top-tier talent. The Mega Vega stage saw a massive bass takeover with Yookie, Infekt, Ray Volpe, Kai Wachi, and of course SVDDEN DEATH taking the stage. Wax Motif, Tinlicker, Louis The Child, and Chris Lake transformed Stadium: Evolved into a house head’s haven, while Benny Benassi, Galantis, and Kaskade kept energy high at Shipyard 360.

Festival-goers had a plethora of official Night Light afterparties to choose from; today’s selections included Chris Lake at TAO, Kaskade at House Of Blues, SVDDEN DEATH at 115 Bourbon Street, Galantis at Sound-Bar, Louis The Child at POLEKATZ, Lil Texas at The Pavilion at Branding Iron, Kai Wachi at Joe’s On Weed St, Ray Volpe at Magoos, and Ian Asher at Electric Hotel. 

Day Two

Kicking off Day Two right, the festival started with a roster of local talent, as well as an ATLiens – OG Trap Set at The Chill Dome. I did not have a chance to experience the Trap Set set myself, but I learned through conversations from various festival attendees that it was a full throwback to early 2010’s trap–think Keys N Crates, Flosstradamus, and Party Favor.

The energy only kept climbing as the night unfolded. Mega Vega brought a diverse mix of bass-heavy madness and melodic journeys, with standout sets from Distinct Motive, Detox Unit, Peekaboo b2b Caspa, a rare drum & bass performance from Deadmau5, Of The Trees, and Seven Lions. Over at Shipyard 360, house grooves and infectious rhythms took over with Joshwa, Westend, LP Giobbi, and Sofi Tukker keeping the dance floor alive. Meanwhile, Stadium: Evolved leaned all the way into heavy-hitting intensity, with Jon Casey, Zingara, NGHTMRE b2b Dimension, ATLiens, and Excision closing out the night in earth-shattering fashion.

If you needed some respite away from the crowds, the air-conditioned soccer-field-sized Chill Dome provided the perfect place to do so. The space offered a variety of cushioned seating options, lighting and art installations, mesmerizing laser light shows, and a rotating cast of DJs spinning genres like drum & bass, chillhop, deep house, and more. It’s 360° layout provides a true immersive–but chill–experience, wrapping around you with soothing visuals and sound.

Other standout amenities at North Coast included Incendia’s Fire Pit Stage; the NCMF Yacht Club looking over the Shipyard Stage; Club Coast, a secret location speakeasy; Frick Frack Blackjack, and the ferris wheel. Not to mention the bevy of food and beverage vendors–including my personal favorite–Coastie Cafe, headed up by Chicago’s own Michelin Star Chef Brian Fisher. I’m still dreaming about those Japanese fried Wub Nugs.

To cap this impeccable night off, Saturday’s roster of afterparty talent featured Excision at House Of Blues, SOFI TUKKER at Ramova Theatre, Of The Trees (Odds & Ends Set) at Garcia’s, ATLiens at Joe on Weed St, NGHTMRE at TAO, LP Giobbi at Electric Hotel, Dimension at The Pavilion at Branding Iron, Zingara at Magoos, Detox Unit at Sound-Bar, and Westend & Joshwa at POLEKATZ. 

Day Three

At last, the bittersweet final day of the festival arrived—but North Coast wasn’t about to let things wind down quietly. To kick things off, that surprise Liquid Stranger b2b ??? set in The Chill Dome? The special guest was none other than NGHTMRE. The unexpected pairing tore the place apart, guiding fans through a mind-bending, psychedelic ride that showcased the best of both artists’ styles in perfect harmony.

The Mega Vega stage kept the crowd moving with standout sets from MC4D, Bonnie X Clyde, KREAM, Timmy Trumpet, and ZEDD. Over at Shipyard 360, fans were treated to a dynamic mix of sounds from Taiki Nulight, Juelz, Apashe, and RL Grime. Meanwhile, Stadium: Evolved brought pure intensity all day long, with powerhouse performances by Heyz, Daily Bread, Liquid Stranger, Rezz, and Zeds Dead.

North Coast even surprised attendees with a drone show before Zeds Dead’s headlining set to celebrate the last night of this milestone installment. Countless synchronized lights lit up the Chicago sky to pay homage to the festival’s 15-year legacy. The display even finished with a ‘put your Z’s up’ to kick off the boys’ closing performance.

Sunday night’s after party billing saw Zeds Dead B2B Liquid Stranger at Ramova Theatre, Daily Bread at House of Blues, ARMNHMR at TAO, Apashe at Magoos, Bonnie X Clyde at Electric Hotel, Stooges + VKTM at The Pavillion at Branding Iron, and Brownies & Lemonade w/ Surprise Guests at POLEKATZ. 

This was my first North Coast Music Festival—but definitely not my last. Experiencing the 15th anniversary was unforgettable, but it’s clear North Coast brings the magic every year. From start to finish, the weekend delivered nothing but incredible vibes and standout moments. I’m looking forward to seeing what Year 16 has in store!

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In our interview, he reflects on his journey so far and offers a glimpse at what lies ahead. Check it out below!

Well first of all, it’s great to finally meet you in person and I’m very much looking forward to your set tonight. Let’s jump right in. Other than North Coast of course… what’s your favorite festival you’ve played so far? Or is there one you haven’t done yet that’s high on your bucket list? 

Shambhala is high on my bucket list. Just because it’s kind of like Burning Man and that was one of the festivals that inspired me a lot. But this year, Badlands in Calgary was insane, it was super fun. I guess that’s a lot of Canada right there. 

So you need to see more of Canada is what you’re saying?

Yeah, Canada goes off basically. 

Well I’d love to see you play at Shambhala! Your debut album, Beyond the Veil, marked a turning point in your career. Looking back, what does that era mean to you now, and how has your creative mindset evolved since then?

That [album] was born out of the pandemic, so it was a little more experimental, I guess, and I feel like my music lately hasn’t been. That was more chill. And I feel like I’m not as chill as I was back then.

Instead of chill, what kind of direction do you think you’re going in?

Not necessarily like main stage festival vibes, but just a little more energetic and concise. That album felt a little meandering and just kind of long, you know? But I think lately I’ve just been trying to tighten things up.

Do you ever feel pressure to outdo yourself creatively, and if so, how do you manage that?

Not really. Honestly, no. Because I feel like I’m never satisfied with anything ever. I just don’t think about it that way, actually.

So it’s like a no pressure, you’re just doing “you” kind of thing?

I mean there’s always pressure, but it’s not like I ever look back at one thing that I did, and think ‘I hope I can be that creative again.’ It’s more like, ‘I’m going to make stuff, and I hope people like it, like they used to.’

When you say ‘outdo’ myself, it feels like a technical thing, but I just like making music, so I’m just going to keep doing it. I’m not really competing for myself.

What’s something about your journey people might not see from the outside?

There’s a lot of things in my personal life that inspire my music deeply, but nobody will ever know that stuff for sure. There’s a ton but I don’t even know how to go into how much that is.

That’s fair, it sounds like it can get pretty personal.

Sometimes it’s personal but sometimes it’s literally like just a band that I discover that I really, really like, that I know my fans would never fucking enjoy whatsoever. But I translate that to my music in a way that is personal to me. But if I was to even show that this song was inspired by this song, I think a lot of people would be like, ‘what the fuck are you talking about?’

Ophelia Records has been a defining outlet for your music since 2018. How does managing the label influence how you approach your own productions and collaborations today? 

I like to work with the people on Ophelia, so it’s mainly like a big friend group at this point, so I think that influences who I work with a lot, just because we talk almost every day. I think we also really encourage each other to just be yourself and make music that’s true to yourself and to not chase the trends. So I think that also helps. I have a good group of peers that keep me grounded. And if I was doing some bullshit, they would call me out.

These are good friends to have.

Definitely.

Ophelia recently launched a new webstore and dropped some limited pieces that sold out almost instantly. Can fans expect more exclusive, art-inspired merch drops like this in the future? 

Yeah, definitely. That was a big thing. I was on social media and trying to figure out why I hate it so much. Like what am I doing here? So I just started thinking, how can I use it as a tool? Ok—find art that you like. It’s just a great way to find tattoo artists, to find visual artists.

I commissioned a bunch of art, and then thought ‘ok so what do we do with this art? We make cool merch out of it.’ I still really like doing that, so yeah we’re going to continue to do that. We’re not going to rebrand Ophelia or anything into like this darker metal thing, just because that’s what I like. But there will be my little corner of it. More of what I kind of like.

You’ll get to have some fun with it.

Exactly.

You have two headline shows scheduled this year under your “Prelude: Gathering Twilight” banner – one in NY and one in AZ. What was the creative idea behind limiting the shows, and what can fans expect from the themes or visuals of these performances? 

It feels kind of like entering a new era, a little bit, after the Journey III, because capping it off at III made sense. So this is kind of like a new path we’re going down, visually and with a lot of new music.

With everything happening around Gathering Twilight and Ophelia, should fans be keeping an eye out for something even bigger coming soon?

Yeah, definitely.

Can you give any hints about that or is it tight lips?

Yeah, we’ll just have to see…

Alright, what’s the best piece of advice you’ve ever received?

Hmm I don’t know, that’s an interesting one. Maybe we can circle back to that one. I need to think about it.

Ok then let’s get into a few rapid fire questions:
What’s your go-to comfort food on tour?

Probably just like a burger, honestly. 

Dream collab outside of EDM?

I think it’d be cool to work with Ghost. It’s super random, but I think that would be really fun.

What’s your favorite non-music hobby?

Probably skiing recently. Used to be rock climbing. But skiing now.

How long have you been skiing?

I was a snowboarder for a long time and then I switched to skiing like four years ago. I really like it. I’m just getting older and I feel like I got to the point with snowboarding where I can either like hit the park or go really, really fast and I’m like ‘I should learn something new.’

Pre-show ritual?

A few drinks. That’s kind of it!

Do you still get nervous before a show?

Yes, for sure.

Every time?

Some less than others. But honestly, some would be surprisingly more than others. It depends.

What’s the track from another Ophelia artist you’re obsessed with right now?

Both the last two MitiS tracks have been really really good. ‘Symptoms’ and ‘Sky is Falling,’ is the most recent one.  

Ok last question. What’s next for Seven Lions? What’s next on your list of goals?

I’m always trying to re-calibrate and figure out what’s next. I never thought I’d be this far in the first place. So for me, at this point, it’s about community building and trying to build a platform for the Ophelia artists. I feel like the scene is changing and now more than ever, it’s time to really focus on community. Giving people something to connect with for a long time. The internet, TikTok, trends and everything, it’s all so fast, and I think a lot of people feel disconnected. So I think that’s kind of the main focus of the record label and Seven Lions.

Ok circling back – did you think of a piece of advice? 

I remember my dad said something early on about when you are managing people, you want them to want to work for you. You can’t just expect people to like you—you need to be nice, and kind, and not a dick.

And I never planned on being somebody who would run a record label or do anything like that. So yeah, you don’t want to be a jerk I guess, just be nice.

So you feel like your heeding his advice then?

Yeah, I try. I think so. The people on my team generally stick around for a long time. I think it’s super important to have people that you trust and work with them.

Tickets for Seven Lions’ upcoming ‘Prelude: Gathering Twilight’ shows are available here, along with the latest news, merch drops, and more.

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On Friday, August 29, North Coast attendees can venture from SeatGeek Stadium into Chicago to find sets from Chris Lake at TAO, Kaskade at House Of Blues, SVDDEN DEATH at 115 Bourbon Street, Galantis at Sound-Bar, Louis The Child at POLEKATZ, Lil Texas at The Pavilion at Branding Iron, Kai Wachi at Joe’s On Weed St, Ray Volpe at Magoos, and Ian Asher at Electric Hotel. 

Saturday’s roster of talent features Excision at House Of Blues, SOFI TUKKER at Ramova Theatre, Of The Trees (Odds & Ends Set) at Garcia’s, ATLiens at Joe on Weed St,NGHTMRE at TAO, LP Giobbi at Electric Hotel, Dimension at The Pavilion at Branding Iron, Zingara at Magoos, Detox Unit at Sound-Bar, and Westend & Joshwa at POLEKATZ. 

Sunday night’s billing will host Zeds Dead B2B Liquid Stranger at Ramova Theatre, Daily Bread at House of Blues, ARMNHMR at TAO, Apashe at Magoos, Bonnie X Clyde at Electric Hotel, Stooges + VKTM at The Pavillion at Branding Iron, and Brownies & Lemonade w/ Surprise Guests at POLEKATZ. 

North Coast has also released official set times for the festival, giving you everything you need to plan your itinerary (don’t miss these must-see acts).

Head on over to the North Coast website here to purchase tickets for the festival and after parties. Have fun, drink water, and see you out there!

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North Coast 2025 has also unveiled a medley of stage improvements across its three largest stages – which are now called Stadium: Evolved, Shipyard 360, and Mega Vega. North Coast will return to SeatGeek Stadium in Bridgeview, IL from Friday, August 29 – August 31, 2025. 

The Chill Dome Lineup

Debuting in 2021, The Chill Dome – a full soccer field dome with lasers, cushions, and air-conditioning – quickly became a beloved space on the festival grounds, offering Coasties a comfortable respite from the outdoor heat. Initially designed as a stage to feature up-and-coming DJs playing drum n bass, downtempo, lofi, and deep house, North Coast 2024 experimented with a more curated approach to programming, hosting performances from Dr. Fresch with a special drum & bass set, Tape B with a ‘Driptapes‘ set, and Levity, who hosted a ‘Levity and Friends‘ showcase. Now, to honor the festival’s 15th anniversary, North Coast is elevating The Chill Dome experience once again by featuring the biggest artists to have ever performed in the experiential indoor space. 

On Friday, August 29, North Coast will join forces with underground Chicago promoters Redline for ‘Redline presents: The Core,’ featuring a headlining SVDDEN DEATH performance at The Chill Dome. Preceding his SVDDEN DEATH PRESENTS VOYD set at the Mega Vega stage, ‘Redline presents: The Core’ will see the heavy riddim icon showcase a rare ‘DEADROOM’ experience – where fans will witness a deep dive into SVDDEN DEATH’s dark house sound. The day-long takeover will also see Redline transform The Chill Dome into a radiation-soaked, glowing reactor – pushing the space’s production capabilities to their full potential.

On Saturday, August 30, ATLiens will play at The Chill Dome ahead of their headlining performance at the Stadium: Evolved stage. For their daytime show, ATLiens will be bringing an OG Trap Set – a throwback performance designed to immerse fans into the duo’s sonic roots. 

Then, on Sunday, August 31, dubstep kingpin Liquid Stranger will make an appearance at The Chill Dome for a special performance preceding his headlining set at Stadium: Evolved – taking fans on a next-level psychedelic journey and going back-to-back with a special guest that has yet to be revealed.

Stage Improvements

North Coast 2025’s Chill Dome programming isn’t the only way the festival is going big for this year’s installment – the three-day event’s transformative stage upgrades are also a fitting tribute to its monumental 15-year milestone. The main stage, newly titled Stadium: Evolved, is 95 feet larger with an extended DJ booth that pushes into the crowd. It boasts 680 watts of lasers, 270 CO2 tanks, 16 million pixels of video, 317,000 watts of sound, and a redesigned fireworks and pyro system on the stadium roof. Headliners like Chris Lake, Excision, Zeds Dead, and more will get to reap the benefits of this epic Stadium Stage renovation. 

Introduced in 2023, the Shipyard Stage is evolving into an immersive Shipyard 360 experience. This industrial dance haven, built from shipping containers, will surround its updated DJ booth with 12 pillars of lasers, pyro, CO2, and hi-fi audio. Fans can see Kaskade, Sofi Tukker, and Galantis in this unique wraparound setting. Additionally, Brownies & Lemonade will host a curated takeover on Sunday, August 31, featuring RL Grime, Apashe, Juelz, and more.

Finally, the Vega Stage has been upgraded to the Mega Vega, featuring a 20% larger structure. It will include 450 watts of lasers, 5,160,900 lumens of lighting, 24,600,000 pixels of video, and 135,000 watts of sound. Headliners like SVDDEN DEATH PRESENTS VOYD, Seven Lions, and Zedd will perform on this enhanced stage.

North Coast 2025’s innovative programming and improved stage designs portend an unforgettable celebration of the festival’s 15-year legacy as a trailblazer in the electronic music industry, consistently procuring top-tier talent with a forward-thinking vision. Beyond its world-class musical offerings, this milestone anniversary invites Coasties to immerse themselves in a dynamic fusion of experiential programming, large-scale art installations, and a diverse array of food, beverage, and shopping vendors, making it an unmissable celebration of music and culture. 

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New Phase 2 Artists

Joining the already impressive roster, the newly announced artists include some of the biggest names in bass music, electronic, and more. Liquid Stranger, ATLiens, and Daily Bread bring their distinct sounds to the stage, adding to the festival’s bass-heavy vibe. Other new names include LYNY, Zingara, INFEKT, Oppidan, CELO, and Tazu, who promise to keep the energy high with their boundary-pushing discographies. This phase of announcements complements the previously revealed talent such as RL Grime, REZZ, Seven Lions, Kaskade, and Timmy Trumpet.

North Coast Music Festival 2025 Full Lineup

• ATLiens
• Chris Lake
• deadmau5 (Drum N Bass Set)
• Excision
• Galantis
• Kaskade
• Liquid Stranger
• Louis The Child
• Of The Trees
• Rezz
• RL Grime
• Seven Lions
• Sofi Tukker
• Timmy Trumpet
• VOYD by SVDDEN DEATH
• ZEDD
• Zeds Dead
• Apashe
• Benny Benassi
• Daily Bread
• Detox Unit
• Kai Wachi
• KREAM
• LP Giobbi
• NGHTMRE b2b Dimension
• Peekaboo b2b Caspa
• Ray Volpe
• Tinlicker (DJ)
• Wax Motif
• Zingara
• Bonnie x Clyde
• Distinct Motive
• Heyz
• Ian Asher
• INFEKT
• Jon Casey
• Joshwa
• Juelz
• Kaleena Zanders
• Lil Texas
• LYNY
• MC4D
• Oppidan
• Skepsis
• Taiki Nulight
• Westend
• Yookie
• Audio-Freq
• Caster
• Celo
• Control Freak
• Darksiderz
• Dennett
• Dogma
• Kreation
• MUZZ
• Prosecute
• Pyke
• Rohaan
• Sherm
• Stooges: Hamro – Blvnkspvce – Sqishi
• Tazu
• VKTM
• Waterspirit

Tickets and the Ultimate North Coast Festival Experience

North Coast 2025 isn’t just about a stacked lineup—it’s about creating an unforgettable experience for all attendees. Alongside this powerhouse lineup, the festival continues to prioritize unique fan experiences, offering fan-favorite stages and art installations. Attendees can look forward to the return of The Chill Dome, Incendia’s Fire Pit Stage, and the beloved NCMF Yacht Club. Additionally, this year, there’s a new GA PLUS ticket offering, providing attendees with express entry, air-conditioned restrooms, and an exclusive 15-Year Anniversary pin. Platinum ticket holders can enjoy VIP amenities such as exclusive all-you-can-drink-and-eat bars and the luxurious Platinum Lounge. Don’t miss out—tickets are on sale now at North Coast Festival’s website.

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