The album is also his first release since signing with Counter Records, the Ninja Tune imprint. Pre-orders and pre-saves are live, and fans can do this here.

Heart on a Wire runs to ten tracks and takes a different route from the dancefloor focus of his recent releases. Elderbrook’s sound bridges the dancefloor and late-night headphone listening.

He’s known for pairing warm basslines and atmospheric synths with soaring vocals that feel as personal as they are anthemic.

Four songs in, Heart on a Wire already has the emotional weight and melodic pull that fans have come to expect, and it leaves you wanting the full record.

The announcement was clearly a big moment for Elderbrook himself. In his Instagram post, Elderbrook described the care that went into the record. He also shared his excitement about its release.

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“Lost in the View” gives fans an early taste of the new direction, and it’s an easy one to press play on if you’ve followed him since “Cola.” Stream it below, and pre-save the album so it’s waiting for you in January.

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‘Red Button’ features GENESI and Djammin taking the reins on production, crafting a soundscape that combines infectious house beats with the raw intensity that Flowdan provides. His distinctive vocal delivery, characterized by a deep, resonant growl, adds a compelling layer to the track, ensuring it stands out in the crowded house music scene.

GENESI elevates his reputation in dance music to greater heights

GENESI is quickly emerging as one of the most promising talents in dance music today. His impressive ascent has seen him achieve global chart success, with tracks that have garnered support from influential figures like Pete Tong. His recent releases on notable labels, such as MADMINDS, further affirm his reputation as a vital player in the electronic music landscape.

Flowdan lends his voice to another top-class jam

Flowdan, a revered figure in the grime, drum & bass, and dubstep, earned a fantastic reputation for a powerful voice and that voice has lead to Flowdan contribute to hits like Skrillex and Fred again..’s Grammy-winning banger, ‘Rumble.’ In ‘Red Button,’ he effectively bridges the gap between grime and house, delivering a performance that is both energetic and deeply rooted in the essence of both genres.

Djammin brings out the best of his grime and house music production talents for ‘Red Button’

Djammin is also a distinguished name in the UK grime scene who is now making a prominent name for himself in house music, especially as he crafts his own innovative style by merging powerful grime beats with addictive house grooves.

Groovy basslines and outstanding vocals make ‘Red Button’ a track that represents a wonderful fusion of genres

The interplay of groovy basslines from both GENESI and Djammin works harmoniously with Flowdan’s standout vocals, leading to a rich auditory experience. ‘Red Button’ embodies a distinctive underground house sound, one that not only entices fans upon first listen but promises to keep them coming back for repeated enjoyment as they immerse themselves in its infectious energy. This track is poised to leave a lasting impression on the dance music scene, especially with diverse fusion of genres being involved in the production of this track.

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The Bose Noise Cancelling Wired Earbuds combine active noise cancellation with a USB-C connection and a $99 price tag. Preorders are now available in the US, with shipping expected to begin around October 13.

A Wired Comeback for Electronic Music Fans

The return of wired headphones comes at an interesting time. Wireless earbuds have become the standard for everyday listening, but wired audio still has some advantages for music lovers.

Bose’s new earbuds connect directly through USB-C, allowing for lossless audio with minimal latency. That could make them particularly appealing for anyone who cares about hearing electronic music with as much detail as possible.

Bose brings wired earbuds back with its new Noise Cancelling Wired Earbuds.

For EDM fans, that means cleaner bass, sharper synths and more detail in dense productions without relying on a Bluetooth connection.

The 4.2-foot cable also keeps the earbuds connected to the device, while an inline remote handles volume, playback and noise-control settings.

ANC Meets Old-School Design

Despite the retro-inspired wired setup, Bose has packed the earbuds with modern features.

Active noise cancellation lets listeners cut down on surrounding noise, while Aware Mode brings outside sounds back into the mix. ANC can also be switched off completely.

The inline remote includes an additional microphone as well, which Bose says can help capture clearer voice audio during phone calls.

The earbuds also carry an IPX4 water-resistance rating. A carrying case, three sizes of silicone eartips and two sizes of stability wings are included.

They come in Black, White Smoke and a limited-edition Dewdrop Mint finish.

Could Wired Audio Be Cool Again?

The comeback of wired headphones is part of a larger nostalgia cycle happening across consumer technology. CDs, point-and-shoot cameras and retro gaming hardware have all found new audiences.

Now, wired earbuds are getting another shot.

For electronic music listeners, though, the appeal may be less about nostalgia and more about sound. USB-C connectivity, low latency and noise cancellation make Bose’s latest release feel more like a modern take on wired listening than a simple trip back to the past.

At $99, the Bose Noise Cancelling Wired Earbuds could be worth watching for anyone who wants a straightforward way to plug in and get lost in the music.

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Saturday

Slightly unusual for CRSSD, Saturday’s City Steps lineup brought variety to the traditionally techno driven stage with sets from MPH and Marlon Hoffstadt. Fans showed up to support the recently in-demand acts, with particular excitement for MPH’s new Anti Up collaboration and Marlon Hoffstadt’s ‘Makina Time.’ Later, I Hate Models and VTSS closed the stage as the night’s techno powerhouses.

Over at Ocean View, Ayybo and Notion carried their mainstage house energy into the sunset, then ceding the stage to the eclectic horsegiirL. Mochakk‘s day one closing set leveraged the stage’s incredible production capabilities and incorporated custom construction-style signs as a playful part of the visual setup.

Year after year, the Palms stage continues growing in popularity and Saturday’s crowd was no different. Energetic audiences danced without rest through ChaseWest and Layton Giordani‘s intense tech house sets, and Sonny Fodera closed out in a more melodic fashion, incorporating iconic tracks from Calvin Harris and Rüfüs du Sol.

Sunday

Chris Lorenzo took to the Palms stage Sunday afternoon for a special guest performance, filling the festival grounds early before handing the decks off to Genesi. Mathame, Helena Hauff and Boys Noize each played powerful techno sets at the City Steps stage, located right next to San Diego’s City Hall. Standout U.K. stars Prospa brought out possibly the biggest Palms crowd of all time and more than delivered on the hype, playing a set of their massive hits (including ‘Free Your Mind‘) and several exciting IDs.

Disclosure and Chris Lake wrapped up the night with an electric B2B at Ocean View, opening with a recorded custom San Diego intro from Leven Kali instead of his usual vocals on ‘one2three‘. A thoughtful mix of each artists’ hits followed shortly after, including Chris Lake’s ‘Piano Hand’ and Disclosure’s ‘F For You.’

The two also premiered a new collaboration, allegedly “made yesterday,” to an enormous reaction from the crowd. A light drizzle began during the set, just enough to amplify the visuals and cool off the field without being overwhelming. Dancing to ‘Turn off the Lights‘ and ‘Latch‘ in the rain perfectly wrapped up an already magical day.

Thoughts and Experience

After over 10 years of twice-a-year events, CRSSD runs like a well-oiled machine. Regular attendees know what to expect and where everything will be. Some people could navigate the festival with their eyes closed (and some seem like they’re trying to!) Despite the festival-not-rave atmosphere, people tend to be friendly, positive and welcoming. As a consequence, some groups can be notoriously chatty, something the organizers try to discourage on the dance floor.

Great food and drink options (including genuinely flavorful specialty cocktails) permeate the grounds, making it easy to grab more of anything you want. During peak hours, certain areas become difficult to navigate, but with CRSSD’s relatively small footprint, switching sets and moving between stages remains plausible. Overall, CRSSD doesn’t miss. Strong lineups, sunset views and picturesque environments in the heart of San Diego keep people coming back season after season.

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From its opening moments, ‘Outer Space’ establishes an immersive tone with howling sirens and extraterrestrial basslines developing a hypnotic experience. The vocals are delivered with an almost robotic quality as sharp drum arrangements and a number of fluid textures fill out the arrangement. The result is a track using both atmosphere and rhythm to establish its identity.

Charles D Continues His Underground Run

For the Italian producer, this track arrives after years of establishing himself within the underground electronic scene. Raised in New York City, Charles D has developed a sound featuring rave-inspired leads and a modern progressive edge.

Charles D has released music alongside artists including Rafael Cerato, Space 92, Weska and KASIA. His productions have also received support from names such as Adam Beyer, Carl Cox, Eric Prydz and Eli Brown to name a few. In the wake of this track’s release, he’s also anticipating a busy fall schedule on the road.

SOLANCE Pushes His Catalog

The Netherlands-based project fronted by Timmo and founded alongside producer and songwriter Mischa launched in 2025 with ‘Terminator,’ a collaboration with Alok. Since then, SOLANCE has collaborated with KREAM, KASIA and Argy, the latter of which landed them a feature on Argy’s NEWORLD II album.

SOLANCE is actively on the road with a string of upcoming shows throughout Asia, traveling from Taipei to Bali.

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What makes ‘No More’ stand out is the sheer groove, at last not built on subtle elements that can fill the grid’s background, choosing to dive down a different path, with strong beats and accents that keep the flow going. I can confidently state that whichever version you pick will follow these words. Because yes, there are two versions of the same tune for you to pick:

• The Vocal Mix, which places Ivye’s haunting performance front and centre, floating above a relentless low-end rumble and lip-biting grooves; and
• The Enrico Rosica Dub Mix, a truly old-school Progressive, dark jewel. Striping back the lyrics while retaining its atmosphere, the Dub Mix really, really dives into that clubby, dark, elegant, white-sticker energy I was talking about. It’s pure power, but delivered in leather gloves.

Heavyweight tastemakers including Hernán Cattáneo, Black Coffee, and Chris Fortier have already given the record early backing, while radio plays on Kiss FM Australia’s Brain Food Radio and Mike van Brugge’s Flipside Radio (sandwiched alongside Sebastian Mullaert) confirm its widespread support.

With the primary Vocal Mix and Dub Mix available now, fans can also look forward to a third interpretation, the Timo Maas Riviera Mix, scheduled for October 9. Hearing Timo’s lone flavour is going to be a treat, but in the meantime you’ve got plenty to have fun with. Listen to Enrico Rosica, Timo Maas and Ivye‘s ‘No More’, down below.

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‘Bassline’ masterfully combines relentless bass house grooves, powerful low-end frequencies, and captivating vocal hooks, making it a perfect anthem for the club and festival scene. Click ‘Play’ on the Spotify link below to dive into ‘Bassline,’ a track that engages and uplifts listeners from start to finish.

The release of ‘Bassline’ is another grand example of the ongoing, creative talents that Layton Giordani provides to the techno and house genres

As a New York-born DJ and producer, Layton Giordani embodies the spirit of innovation of not just techno, but also the house genre. Under the mentorship of the legendary techno maestro, Adam Beyer, he made his mark on Drumcode with celebrated albums like Where It Begins and New Generation. His exceptional talent and collaborations with industry icons such as Danny Tenaglia and Green Velvet have solidified his place in the forefront of the new wave of techno artists.

Furthermore, Layton Giordani is the visionary behind his record label Madminds, dedicated to pushing creative boundaries and creating multi-sensory experiences that invite everyone to appreciate the beauty of house and techno music.

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The new page is dedicated to behind-the-scenes content, career highlights and more personal moments from Armin’s life. It offers another way for fans to connect with the trance icon beyond his main Instagram feed.

A New Side of Armin

UNFILTERED is designed to show more of what happens behind the scenes. That includes moments from Armin’s career, personal updates and stories that may not fit into his regular music-focused content.

The launch also comes with a fitting first look at what fans can expect.

Armin’s first UNFILTERED post features a clip from his new 10-minute mini-documentary, The Psychology of the Dancefloor. The full film explores the emotional side of club culture and what happens in the minds of fans during his five-hour sets at [UNVRS] Ibiza.

For the documentary, Armin teamed up with professional psychotherapist Rachel Giddings. Together, they explore why people can feel connected to complete strangers on a dancefloor and how music can create such powerful shared experiences.

Rather than focusing only on the DJ behind the decks, the documentary puts the spotlight on the people experiencing the music.

What Can Fans Expect From UNFILTERED?

The new Instagram page gives Armin space to share content that goes beyond releases, festival sets and tour announcements.

Fans can expect more behind-the-scenes moments, archive footage and glimpses into different parts of his career. The page also creates room for more personal updates from Armin himself.

That makes UNFILTERED a natural extension of the world he has built around A State of Trance, while giving fans something more intimate.

The timing also feels fitting. Armin is currently celebrating 25 years of A State of Trance while continuing his residency at [UNVRS] Ibiza.

With UNFILTERED now live, fans have another place to follow that journey from a different perspective.

Follow Armin van Buuren’s new UNFILTERED Instagram page for more behind-the-scenes content and updates.

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Adriatique have an outstanding reputation in the electronic music world for their atmospheric productions, which contain deep textures and intricate arrangements. Their emotionally resonant style allows them to create music that not only energizes dancefloors but also provides a profound listening experience for those who seek deeper musical connections. This duality has been a cornerstone of their artistry and has garnered them a dedicated following around the globe.

‘Palm Of Your Hands’ brings in a vibrant mix of euphoric melodies

‘Palm Of Your Hands’ follows this well-established path, skillfully combining rich melodic layers with a driving beat that compels movement. The expressive vocals add an additional depth, making the track not just a dance anthem but also an evocative piece that resonates emotionally. The excitement surrounding this track was evident during their live performances. For example, the phenomenal performance they headlined at UNVRS in Ibiza recently got a lot of people inside the venue, hooked on the melodies. Check it out by clicking on this link.

Fans can now feel the emotions of the track in the comfort of their own surroundings

Now, with the imminent launch of ‘Palm Of Your Hands,’ listeners will finally have the chance to experience this much-discussed track beyond the live stage. The release aims to provide an engaging listening experience that captures the energy and emotion of their performances. With its unique blend of emotive melodies, captivating vocal work, and an upbeat club energy, ‘Palm Of Your Hands’ promises to be a significant addition to Adriatique’s evolving discography, further solidifying their position as influential figures in the electronic music scene.

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At 130 BPM, ‘Inside The Brain’ moves between tech house and bass house. A dark groove sets the foundation while punchy percussion and a recurring vocal add tension throughout the track. The production keeps its melodic elements relatively restrained, placing more emphasis on rhythm and low-end weight.

For SCRIPT, that approach contrasts with some of the more melodic records scattered throughout his catalogue. His releases increasingly move across different sides of house music rather than following one consistent formula.

Franksy brings a similarly broad background to the collaboration. His 2026 releases include work with TCTS, Lee Foss and BUJA, Redlight, and GENESI and ESSENTIA. The projects have taken him through house and tech house while connecting him with a growing range of producers.

SCRIPT Expands His 2026 Catalog

SCRIPT opened February with ‘Headshake’ through AFFAIRS before collaborating with KREAM on ‘Turn Up The Dose’ in April. ‘London to New York’ followed in June, then ‘Activator’ arrived through Innellea’s Belonging imprint in July.

Together, those tracks show how much ground SCRIPT has covered this year. Melodic house and techno remain part of his output, but releases such as ‘Headshake’ and now ‘Inside The Brain’ give the producer room to explore harder rhythms and heavier production.

Franksy also arrives with an existing connection to TSZR. He previously appeared on the imprint alongside Us Two for ‘Simulation,’ making ‘Inside The Brain’ another addition to his work with the label.

The new track started surfacing in DJ and radio tracklists earlier in September. Its official release now gives listeners the complete version after that brief period of pre-release circulation.

‘Inside The Brain’ ultimately lands at an interesting intersection between the pair. SCRIPT brings the range that has defined his recent releases, while Franksy’s experience across house and tech house complements the track’s darker direction. Rather than pushing either producer into unfamiliar territory, the collaboration finds common ground in the heavier parts of their respective catalogs.

listen to SCRIPT & Franksy – ‘Inside The Brain’ below.

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