To kick things off, Zamna released a commemorative anniversary video looking back at the artists, performances, and moments that built the brand over the past ten years. According to organizers, it’s just the first of several announcements coming as the festival gears up for its landmark Tulum edition.

Since launching in the Mexican Caribbean back in 2017, Zamna has built a reputation for booking some of the biggest names across house and techno. Over the years, its jungle stages have hosted sets from Black Coffee, Tale Of Us, Keinemusik, David Guetta, RÜFÜS DU SOL, John Summit, Diplo, Peggy Gou, ARTBAT, Solomun, Adriatique, Tiësto, Maceo Plex, Nina Kraviz, Vintage Culture, Seth Troxler, Loco Dice, Dixon, Honey Dijon, Gorillaz, Joseph Capriati, Anyma, Boris Brejcha, Anotr, Michael Bibi, Mochakk, and Carola, among others. That lineup history is a big part of why the festival carries the weight it does within the scene.

What started as a relatively intimate gathering has since expanded well beyond Mexico, with Zamna now running events across Europe, the Middle East, and the Americas. Its signature formula — world-class electronic bookings paired with immersive production and cultural programming — has traveled well, but Tulum remains the flagship. Each year, the original edition pulls in hundreds of thousands of attendees from more than 100 countries, turning the coastal town into something of a dance music melting pot for the holiday season.

Production Has Always Been Central to the Zamna Identity

Anyone who’s been to a Zamna show knows the production is as much a draw as the lineup. The festival has built its identity around architectural-scale stage builds, massive LED walls, elaborate lighting rigs, and sound design meant to envelop the crowd rather than just fill space. Each stage is treated as its own environment, with visuals designed to evolve as the night progresses rather than stay static.

The anniversary video ties all of that together, tracing the festival’s evolution while teasing what’s coming for the 10th anniversary edition. It’s framed as a celebration of the brand’s past, present, and next chapter — with Tulum once again serving as the meeting point.

Alongside the video reveal, Zamna has also opened the second ticket tier for the Zamna Tulum Multipass, giving fans a flexible way to lock in access across the 10-day run. More lineup and event details are expected in the coming weeks as the anniversary rollout continues. You can access tickets right here.

The post Zamna Tulum Celebrates 10 Years With 10-Day Anniversary Event appeared first on EDMTunes.

The announcement represents a major expansion of ULTRA Worldwide’s presence in Latin America, bringing the festival brand’s signature production to one of Mexico’s most recognizable landmarks. Estadio Banorte, a cornerstone of Mexico City’s entertainment landscape, will be transformed into a multi-stage destination featuring world-class electronic music programming.

ULTRA Mexico has established itself as a key destination for electronic music fans across Latin America since its debut. The festival’s previous editions have drawn attendees from across the region, cementing Mexico City as an important hub in ULTRA’s global network of events.

Venue Details and Production

The choice of Estadio Banorte Square represents a strategic move for the festival, providing the infrastructure needed to accommodate ULTRA’s renowned stage production and visual elements. The venue’s recent renovations make it an ideal location for the festival’s multi-stage setup and large-scale audience capacity.

ULTRA Mexico 2026 will feature the festival brand’s signature production values, including cutting-edge stage design, immersive visual displays, and state-of-the-art sound systems that have become synonymous with ULTRA events worldwide.

Tickets for the festival will go on sale starting Thursday, April 30. Stay tuned for more details.

*Cover image credit: Alive Coverage

The post ULTRA Mexico 2026 Returns to Mexico City This November appeared first on EDMTunes.

Ultra’s 2026 edition welcomed 165,000 attendees from over 100 countries, transforming Bayfront Park into a global gathering place for electronic music fans. The festival also reached a record-breaking 42.5 million viewers worldwide through the #ULTRALIVE livestream, highlighting just how far its influence extends beyond Miami.

First Impressions at Bayfront Park

Walking into Ultra for the first time was surreal. The festival takes place right in the middle of downtown Miami, and that setting gives it a completely different atmosphere compared to most festivals. Looking around, you’re surrounded by the city skyline, palm trees, and the waterfront, creating a unique backdrop that makes the entire experience feel cinematic.

Getting into the festival was also surprisingly smooth. On the first day it took about 35 minutes to get through everything—ID check, two bag checks, security screening, and wristband scanning. Considering the scale of the event, the process felt organized, efficient and impressive.

Once inside, the layout of the festival grounds made exploring incredibly easy. Moving from stage to stage felt seamless, and the crowd flow was well-managed throughout the weekend.

Sound Engineering That Stands Out

One of the most impressive aspects of Ultra was the sound design across the entire festival. Even with multiple large stages operating simultaneously, there was virtually no sound bleeding between them.

Stages like The Cove and the Live Stage were fairly close to each other, and the main stage right behind the Live stage, yet each maintained its own completely distinct sound environment. Walking between stages felt like entering a different world every time, without competing audio from nearby performances interfering with the experience.

Having attended more than 40 festivals, this stood out as one of the best examples of sound engineering I’ve experienced at a large-scale event.

Comfort, Food, and Festival Experience

Ultra also delivered when it came to overall comfort and amenities. There were plenty of food vendors and drink options throughout the park, making it easy to grab something without waiting in long lines.

The bathroom situation, something festival-goers know can sometimes be a challenge, was handled very well. The restrooms were clean, well-maintained, and easily accessible across the grounds. At no point did I struggle to find a bathroom or wait long to use one.

Security was also visible throughout the event, which helped create a safe and comfortable environment despite the festival being located in the heart of downtown Miami.

Exploring the Stages

While the Main Stage immediately stands out with its massive production and visuals, exploring the different stages around Bayfront Park ended up being one of my favorite parts of the weekend. The Live Stage offered a completely different energy from the mainstage performances and quickly became one of my favorite areas of the festival.

Meanwhile, the legendary RESISTANCE Megastructure delivered some of the most intense moments of the weekend. The production inside the structure was incredible, combining massive lighting rigs and a powerful sound system that created a true underground atmosphere in the middle of a major festival.

Inside the Megastructure I was able to catch sets from artists like Eli Brown, Boris Brejcha, Amelie Lens b2b Sara Landry, Adam Beyer b2b Joseph Capriati, each bringing their own flavor of techno to the stage.

Sets That Stood Out

One of the most nostalgic moments for me came during Alesso b2b Martin Garrix, which instantly brought back memories of the golden era of festival EDM. Hearing those sounds again felt like stepping back into the early 2010s, when many of us first discovered electronic music. The energy of the crowd during that set made it clear just how timeless those tracks still are. Even former New England Patriots quarterback Tom Brady pulled up to catch that Martin Garrix and Alesso’s back-to-back performance, while Farruko made a surprise appearance during Steve Aoki’s Saturday set.

Another highlight came from ZHU, whose performance ended up being one of my favorite sets of the entire weekend. I’ve been following ZHU since around 2017, so hearing some of his original tracks live was a special moment. His set blended familiar classics with newer sounds, including a preview of his new album BLACK MIDAS which is coming out in April!

Inside the RESISTANCE Megastructure, the techno energy was nonstop throughout the weekend. One moment that stood out was during Vintage Culture when he brought Max Styler for a surprise B2B creating a cool crossover moment between two artists who have both been making waves in the scene. Seeing that interaction live added another layer of excitement to an already high-energy performance.

Another memorable collaboration came from Dennis Cruz b2b Seth Troxler, a pairing that perfectly captured the groove-driven side of house music. Their set felt effortless, blending deep rhythms and playful selections that kept the crowd moving throughout the performance.

Meanwhile, Adriatique delivered one of the more atmospheric moments of the weekend. During their set, the duo surprised fans by dropping a remix of RÜFÜS DU SOL, creating one of those unexpected festival moments that instantly resonates with the crowd.

Artists like Of The Trees also brought a completely different energy to the Live Stage, showcasing the diversity of sounds that Ultra continues to bring to the festival each year.

Ultra’s Biggest Moments

Beyond my personal highlights, Ultra 2026 delivered several unforgettable moments that had fans talking throughout the entire weekend.

One of the most talked-about performances came from Argentinian producer Bizarrap, who made his highly anticipated debut on Ultra’s Main Stage. Sharing the lineup with global heavyweights like Martin Garrix, Major Lazer, Alesso, Bizarrap introduced a completely new set created specifically for the festival.

The performance blended his signature Music Sessions sound with a heavier electronic approach, creating a unique crossover between Latin and electronic music. The set reached a huge moment when reggaeton legend Daddy Yankee appeared on stage for a live performance of BZRP Music Sessions #0/66, sending the crowd into a frenzy.

But the surprises didn’t stop there. Toward the end of the performance, the BIGGEST surprise was when Skrillex unexpectedly joined Bizarrap on stage, and the two closed out the set together, turning the final moments into one of the most talked-about highlights of the entire festival.

Another unforgettable moment came during DJ Snake’s Main Stage performance, when the French superstar brought out Latin icon J Balvin as a surprise guest. The collaboration created one of the biggest crowd reactions of the weekend and showed how Ultra continues to blur the lines between electronic music and global pop culture.

Another powerful moment came when Armin van Buuren took the Main Stage, celebrating 25 years of his iconic A State of Trance brand. As one of the most influential figures in electronic music, Armin’s entrance felt like a tribute to the legacy of trance itself. Ultra has hosted numerous A State of Trance takeovers over the years, and the 2026 celebration marked a special milestone for the global community the radio show helped build. When Armin walked onto the stage, the crowd erupted, honoring a career that has helped shape the sound of electronic music for more than two decades. This followed his amazing WorldWide Stage performance from Friday night.

Meanwhile, the weekend culminated in a historic closing showcase from Swedish House Mafia, who curated what many fans described as a “festival within a festival.” Throughout their extended set, the trio brought out several surprise guests including Eric Prydz, Armand Van Helden, Boys Noize, Kelly Lee Owens, Afrojack, and MPH.

Prydz’s appearance was especially meaningful for longtime dance music fans. Before Swedish House Mafia officially formed, Prydz was often closely associated with Axwell, Sebastian Ingrosso, and Steve Angello during the progressive house explosion of the late 2000s. He was the “Fourth member”. Seeing them share the Ultra stage again felt like a nod to that era and created one of the most nostalgic moments of the entire weekend.

With a tearjerking moment when Swedish House Mafia paid homage to Avicii and played ‘Wake Me Up’ by the late artist.

Another memorable closing moment came from John Summit, who wrapped up his performance with the emotional track “We Are You.” As the final notes played out, Summit surprised the crowd by jumping off the stage and into the audience, celebrating alongside fans on the dance floor. It was a fitting end to a weekend defined by the connection between artists and the global community of dance music fans.

Ultra’s Cultural Impact

Ultra’s influence extends far beyond the festival grounds. During the 2026 edition, Miami-Dade County officially proclaimed March 28 as “Ultra Music Festival Day,” recognizing the festival’s cultural and economic impact on the city.

Over the years, Ultra has helped establish Miami as one of the global capitals of dance music, especially during Miami Music Week, when artists, industry professionals, and fans gather from around the world.

A Festival That Lives Up to the Hype

After years of hearing about Ultra’s reputation, attending the festival for the first time made it clear why it continues to hold such a special place in electronic music culture.

Between the massive production, the global crowd, and the incredible variety of artists performing across the stages, the weekend delivered unforgettable moments from start to finish.

As the final sets ended and the lights faded over Bayfront Park, the Miami skyline once again framed the festival grounds just like it did when the weekend began.

Standing there surrounded by thousands of fans, it was easy to understand why Ultra continues to be one of the most iconic events in electronic music.

After finally experiencing it for the first time, one thing became clear: Ultra isn’t just a festival you attend — it’s something you experience.

The post [EVENT REVIEW] My First Ultra: Inside Ultra Music Festival Miami 2026 appeared first on EDMTunes.

DJ Dash Berlin performed in Buenos Aires’ Mandarine Park on February 17, 2017, ending a nearly 10 month-long ban on outdoor electronic dance music festivals. The ban was implemented last April and involved ceasing issuing permits for electronic music festivals in relation to five drug-related deaths at the Time Warp Festival last April. Other DJs that followed Berlin included Eelke Kleijn, Digweed and Guy J playing at the same venue.

The ban lift comes with certain provisions passed by the City of Buenos Aires that include dispensing free drinking water, regulating the amount of people allowed per square meter, and allowing all events to be overseen be a representative of safety agency AGC (Agencia Gubernamental de Control). Other provisions include stronger security and police presences on site, with around 40 officers in attendance at the weekend all aiming to prevent drug use.

AGC director-general Gustavo May explains: “All shows will have new safety requirements, whose compliance will be ensured by AGC inspectors. It is essential that the public take [advantage] of the free dispensing of water throughout the event.”

May says water should be distributed evenly across festival grounds, “in such a way as to enable access [to water sources] from different parts of the site”.

Previously ban restrictions had almost stopped a Kraftwerk show in November before a judge overturned the ban. Promoters are currently seeking approval for Armin van Buuren in Mandarine Park on April 17, and Become One at the Malvinas Argentinas Microstadium on March 18.

The post Outdoor Electronic Music Festivals Are Returning to Buenos Aires appeared first on EDMTunes.