The album will be released through their own label, REALM Records, giving Gorgon City complete creative control over the project.

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For the duo, AETHER represents a project built simply around making music together. After years of performing and producing as Gorgon City, Matt Robson and Kye Gibbon are returning to the studio with a clear focus on creativity and collaboration.

The AETHER Countdown Is On

With AETHER arriving November 13, fans have just over a month to wait for the complete album.

However, three tracks from the project are already familiar.

‘5AM at Bagleys’, ‘Oracle’ and ‘Work It Out’ have given fans an early taste of where the album is heading. Each release has helped build anticipation for the full project, with more music still to come.

The next piece of AETHER arrives this Friday with ‘Only Love’, featuring Caroline Byrne.

That means the album countdown is already moving quickly, with another new track landing before the full record arrives in November.

Gorgon City Have Full Creative Freedom

One of the most interesting parts of the AETHER announcement is how naturally the project came together.

Rather than building the album around outside expectations, Gorgon City say they focused on writing music they genuinely enjoyed. The project also brings together collaborators from around the world.

That approach gives AETHER a different feeling before the full album has even arrived. It is a project created by two artists who have spent years making music together and still clearly enjoy the process.

With ‘Only Love’ coming this Friday and three tracks already out, the countdown to AETHER has officially begun.

Gorgon City’s new album arrives November 13 via REALM Records.

The post Gorgon City Announces New Album Coming in November appeared first on EDMTunes.

Adriatique have an outstanding reputation in the electronic music world for their atmospheric productions, which contain deep textures and intricate arrangements. Their emotionally resonant style allows them to create music that not only energizes dancefloors but also provides a profound listening experience for those who seek deeper musical connections. This duality has been a cornerstone of their artistry and has garnered them a dedicated following around the globe.

‘Palm Of Your Hands’ brings in a vibrant mix of euphoric melodies

‘Palm Of Your Hands’ follows this well-established path, skillfully combining rich melodic layers with a driving beat that compels movement. The expressive vocals add an additional depth, making the track not just a dance anthem but also an evocative piece that resonates emotionally. The excitement surrounding this track was evident during their live performances. For example, the phenomenal performance they headlined at UNVRS in Ibiza recently got a lot of people inside the venue, hooked on the melodies. Check it out by clicking on this link.

Fans can now feel the emotions of the track in the comfort of their own surroundings

Now, with the imminent launch of ‘Palm Of Your Hands,’ listeners will finally have the chance to experience this much-discussed track beyond the live stage. The release aims to provide an engaging listening experience that captures the energy and emotion of their performances. With its unique blend of emotive melodies, captivating vocal work, and an upbeat club energy, ‘Palm Of Your Hands’ promises to be a significant addition to Adriatique’s evolving discography, further solidifying their position as influential figures in the electronic music scene.

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Sick Individuals have multiple hit singles and over 500 million streams globally. They are well-established in the international dance music scene. Their music receives support from major industry figures, and they perform at top festivals and venues, including Tomorrowland, Ultra Music Festival, Creamfields, Mysteryland, Ushuaïa, and S2O. Each year, they push their creative limits while staying true to their music style.

How Sick Individuals, the talented duo behind ‘Sunrise’, got to where they are now

Rinze “Ray” Hofstee and Joep “Jim” Smeele met at the Dutch Conservatory for Music, where they connected over their love for electronic music. Inspired by acts like Daft Punk, Axwell, Bingo Players, and Swedish House Mafia, they developed a unique house sound that appeals to audiences worldwide. Since they officially launched Sick Individuals in 2009, they have worked with artists like Alesso, Axwell, Hardwell, and Nicky Romero, and have remixed songs for stars such as Madonna, Justin Bieber, Rihanna, Avicii, Tiësto, David Guetta, The Chainsmokers, Rita Ora, and Icona Pop.

Sick Individuals share a strong friendship and a creative vision. Their focus on detail and natural approach to music production creates tracks that feel fresh and genuine. They bring energy to every performance, whether at large festivals or small clubs. Their live concept, “THIS IS SICK,” enhances performances by syncing music and visuals in real time.

A mesmering track to uplift dancefloors worldwide as summer approaches soon

Early reactions to ‘Sunrise’ show that audiences connect to its uplifting and thoughtful energy. Support from leading DJs in the scene has built excitement for “Sunrise” across dancefloors worldwide. With its official release on Tomorrowland Music, the duo is excited to share this music with a global audience.

As they prepare for more music and an international tour, Sick Individuals continue to be leaders in modern electronic music. Click ‘Play’ on the Spotify link below to stream ‘Sunrise’ from Sick Individuals now, a track that for sure sets the stage for an upcoming eventful summer.

The post Sick Individuals Provide Progressive House Vibes in ‘Sunrise’ appeared first on EDMTunes.

In a post released early on February 22nd, the Cosmic Gate official social platforms posted a heartwarming picture which included the brief yet beautiful words to explain the reason for the changes.

“After 27 years together, Bossi has made the decision to step away from touring, and that step means he will be leaving Cosmic Gate entirely,” the duo wrote. “This decision comes with deep respect, gratitude, and friendship. What we built together, side by side, and had the privilege to share with all of you around the world is something truly rare and beautiful, something we are most proud of.”

As most of us either know for personal experience or by following your other favorite touring artists, travel and late nights can catch up. The humanness we all feel is very real, even for those that seem unstoppable. It must be acknowledged and respected when the body says “it’s time”.

Notable Contributions

It would take us some time to go through all that Cosmic Gate has done for the electronic music world. After 11 studio albums, one Grammy nomination (for their remix of Gabriel & Dresden’s feat. Sub Teal “Only Road” on the Anjunabeats), to pioneering “big room trance” and more, it’s clear that the project is still in good hands with Nic and Bossi is departing on top. We should mention too that they were the first ever trance artists to be nominated in this category as well!

Most notable and timeless tracks that came from Cosmic Gate have to be ‘Exploration of Space‘ and ‘Fire Wire‘. They have both been played in countless sets since 2001, representing the moment when trance was unapologetically big, bold, and emotionally charged. Their Wake Your Mind radio show is still going after 12 years, exposing listeners to up-and-coming producers and different trance styles to make note of. It seems they have graced basically every stage that has ever been built on the planet. Both have performed at any festival that would have them. Additionally, as a nice bonus, Cosmic Gate ranked as high as #19 on DJ Magazine’s Top 100 DJs ranking.

Legacy

The responses from the electronic community have been pouring in for the two friends. Reddit and other social platforms have been filled with fans’ memories about Cosmic Gate and the lasting impressions the music will leave on all our souls. Bossi’s guidance, wisdom, and knowledge have always been humbling to the community, and his contributions to dance music are legendary.

Thank you for all the “Happyness” you made together, Bossi and Nic! It’s a beautiful reminder that these artists put it all on the line for their craft. We must remember to enjoy every moment with them while if it’s through our headphones or on the dancefloor. At any moment, things can change.

And finally, if you are able to, buy the ticket and go dance to the music that moves your soul before life does its thing. Best of luck to Bossi and Nic in their new chapters!

The post Trance Duo Cosmic Gate Announce They’re Parting Ways After 27 Years appeared first on EDMTunes.

Meet the German-Estonian duo DONT BLINK, who bring an exciting tech sound to life with their unique blend of techno, progressive, and indie dance influences. Since they burst onto the scene in 2018 with their catchy track ‘INSANE’ on Nervous Records, they’ve been incredibly busy, releasing music on labels like STEREOHYPE, Tomorrowland Music, Repopulate Mars, AETERNA, The Myth of NYX, and their own label, LOW CEILING, where fans can find their 2023 debut album, THE STATEMENT.

As a matter of fact, their impressive discography and growing popularity have taken them on amazing tours across South America, Europe, Southeast Asia, and Australia. Now, DONT BLINK bring their wonderful, high-octane style of music onto their latest EP, ACTIVATOR, a two-track masterpiece that really unleashes the full, phenomenal power of techno and progressive. Click ‘Play’ on the Spotify link below to stream the EP, a superb piece of music that will lead to nonstop emotions flowing through the mind, body, and soul.

DONT BLINK brings out adrenaline-filled rhythms to showcase in the ACTIVATOR EP

Their first release on the Truesoul record label is sure to get you moving! The EP’s title track is a fun late-night track with a playful series of vocal rhymes that will keep the energy high. The duo expressed their feelings about this track, “We wanted to create a track that immediately cranks up the energy and picks up everyone straight away. ‘ACTIVATOR’ was the perfect concept, and luckily it rhymes with just about anything!”

Additionally, the accompanying track, ‘STIMULANTS’, definitely delivers, offering an exhilarating dancefloor experience packed with vibrant energy and an infectious vocal sample that’s hard to resist. In fact, DONT BLINK stated the idea of the track came from a vacation that they went to in Bali. The duo said, “The idea for ‘STIMULANTS’ came to us when playing frisbee at the beach in Bali. One of our young team mates has ADHS and we were talking about Ritalin and Adderall and the different effects on the brain and concentration. Her response: ‘We all need stimulants’. It really stuck so we had to record the vocal and make it into a track!”

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If you’ve been either a fan of Organic House, or you’ve been at Burning Man this year and/or the last one, you might have heard one particular tune. ‘Matter Of Time (Stars Align)‘ is the title of a cheeky little track that made its way to being one of the more hotly-anticipated IDs for close to a year. Legend says it made its way across the playa in 2023, jumping from DJ to DJ via USBs.

The artists behind said (master)piece are no other than ARTEMIDES, a fairly new duo consisting of veteran producers — and life partners — Seth Schwarz and Lydgen. Under their conjoint alias, they’ve released tracks like ‘Create The Universe’, ‘Leap of Faith (Follow your Heart)’, and ‘Who we are’. Below is a link to their ‘Matter Of Time’ emotional record.

We had the chance to have a little chat with them, just before departing to this year’s Burning Man. So we did what should be done: we asked them about that not-anymore-ID that practically soundtracked the festival, apart from diving into their vision as a duo, what it feels like to work together under a same name, plans for the future, Antarctica, collaborations, and so much more.

So sit down, put on your headphones with Seth and Lydgen’s best tunes, and read on, as we embark on a Q&A round with the masterful Organic House duo, ARTEMIDES.

The Interview

(Please note, the bolded text represents a question, while the paragraph(s) following it represent ARTEMIDES’ answers.)

So, you guys are getting ready for Burning Man. What are your thoughts, are you excited, nervous maybe? What are your expectations for this year’s gathering?

We’re beyond excited, Burning Man is such a unique experience! But this year is a bit different for us. Lydgen is in the 9th month of pregnancy with our first baby, so she won’t be able to join Burning Man. Seth is more than excited to play our music solo this year. While ARTEMIDES will miss the desert vibes this time, we’ll be back next year stronger than ever.

You’re two separate acts, and have been forging your own careers over time. When did you decide to give birth to ARTEMIDES as a duo rather than a series of standalone collaborations? When did you see that extra bit of magic to create a separate alias?

The idea for ARTEMIDES was born a few years ago during a magical experience at Cloud9 in South Africa. We’ve always made music together, but it was there that we realized we should fully combine our creativity and musicality, especially during Seth’s shows. That moment sparked the idea to create ARTEMIDES as a distinct project where we could truly explore and express our combined artistic vision, with the violin and the singing. The synergy was undeniable, and we knew this was something special that deserved its own identity.

What’s the story behind ‘Matter of Time’? What, or who, was your musical inspiration for this particular piece, and how did it come about?

‘Matter of Time’ emerged during a pivotal moment when we realized that we wanted to fully commit our lives to music and the artist’s path. This was around spring 2023, a time of transformation for us. The melodies and lyrics for the song came to us effortlessly and with a sense of clarity. It was a reflection of our decision to embrace music as our true purpose, and the creative process felt light and natural, as if the song was just waiting to be discovered.

What do you enjoy most about making music together?

The best part is the constant exchange of ideas and the way we push each other creatively. There’s a sense of trust and freedom that allows us to experiment and explore new sounds. We each bring our own influences and styles to the table, which makes the process unpredictable and exciting. It’s like a conversation through music, where we both learn and grow with every project.

Have you conquered any lifelong dreams you had in the music realm, or had any moments in which you look back and realise how far you’ve made it?

Absolutely. One of the standout moments was our performances at Burning Man 2023, where we played on the big stages at PlayAlchemist and Playground. We played ‘Matter of Time,’ and seeing the crowd go wild was an incredible experience. It was definitely a high point in our journey so far and gave us the affirmation that we’re on the right path with our music. Performing at such iconic events and feeling that connection with the audience is something we’ll never forget.

Are there any acts you would want to collaborate with in the future? Maybe even something outside of the four-on-the-floor canvas?

We’re always open to new collaborations, especially with artists who bring something different to the table. We’d love to explore a blend of organic instruments and electronic elements with artists and true music producers, also outside the traditional electronic scene — Seth has always dreamed of playing his music with a classical orchestra, which would be an incredible fusion of organic and electronic elements. The possibilities are endless, and that’s what excites us.

What are your plans for the future, any gigs on the horizon? Especially, we’d love a bit of an insight into a so-called Antarctica expedition we heard through the grapevine…

There’s definitely a lot on the horizon! In the next few months, Seth will be performing mostly solo. And yes, the Antarctica expedition is real! It’s an ambitious idea to create music in one of the most remote and pristine environments on Earth, and it’s something he is incredibly excited about. And also he has some exciting events lined up, including appearances at ADE in Amsterdam this October, and in November, he is touring in New York and Canada. Until Lydgen is ready to be back on stage, we’ll be busy creating new music in the studio. 

Next to his busy artist life, Seth is also highly involved in developing a new music streaming platform called WeR1, which aims to create a more transparent and rewarding ecosystem for artists and their communities. At ADE they have a big launch event with great artists playing. You can download the app and sign up using his invite-code SETH07.

Closing the Q&A on a more philosophical note, given just how fragile Life is, acknowledging we’re all going to leave this place someday, what would you like to be your legacy? What would you like people to remember you for?

We hope to be remembered for creating music that resonates on a deep emotional level, something that people can connect with in a meaningful way. Beyond just the music, we want our legacy to be about pushing boundaries, taking risks, and inspiring others to find their own creative voice. Life is indeed fragile, and we want our work to remind people to live passionately, dream big, and never be afraid to pursue the extraordinary.

Final Words

Thank you so much Lydgen and Seth for providing such sensitive, profound answers. What I get from the experience of chatting with them is that they are a true reflection of their music. If you listen to their tracks, they always have this emotional nature to them, and that kind and warm personality is an exact mirror of who they are in real life. Which is just so wholesome to acknowledge.

You heard it here first! If you’re going to be in Amsterdam, North America, or — for some reason — Antarctica, you can catch their music live on tour! Also, make sure to check the WeR1 App, right here. And be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.

The post [INTERVIEW] ARTEMIDES Talks Burning Man, ‘Matter Of Time’, Artistry, And More appeared first on EDMTunes.

Fatum. You might know them, you might remember them. Maybe some of their tracks come to mind if I mention ‘I Ran‘, ‘Coming Home‘, ‘Superfecta‘ or ‘The Tide‘. These guys have been putting out proper bangers year after year, for ten years now. With two Grammy nominations, Billboard Top 20s, over 200 releases and decades of experience, as well as remixing and collaborating for the likes of Hans Zimmer and Armin van Buuren, they are in demand for their signature melodic, Trance-infused, Techno sound.

Their latest incursion happened just a week ago, when they released ‘Make Me Wonder‘, a track composed alongside Bren Lock and Brieanna Grace, which, after years of being in the making, finally saw the light of day via Insomniac’s Interstellar Recordings.

We’ve managed to have a lovely little chat with the boys, just off the heels of their Interstellar debut. We talked about all things producing, collaborating with Bren — an old friend of theirs —, their constant sonic evolution, past members of the group, social media presence, and much more. We even addressed the whole marketing versus production debate artists are all picking sides on. So, without further to do, sit down, grab your favourite mug (fill it with your favourite drink), and read on, as we have a conversation with Daniel Davis and Bruce Karlsson, the men behind Fatum.

The Interview

(Please note, the bolded text represents a question, while the paragraph(s) following it represent Fatum’s answers.)

First off, huge congrats on the release of ‘Make Me Wonder’! In your eyes, what does this single mean for Fatum and your story?

Thank you! To be honest, this release means a lot to everyone involved. It was a real labor of love to bring this one to the finish line and a true testament to proper collaboration. The song took over two years to complete from the original idea, but it was worth the wait. We absolutely love this record!

We’re aware you’ve been friends with Bren Lock for a while now. Had you had any unfinished collaborations before working on ‘Make Me Wonder’, or is this the first time you guys sit down and work on a track together?

We had been friends with Pete (Bren Lock) for nearly 10 years, but this was our first attempt at a collaboration. It felt like we had worked together many times before, given the number of revisions we both undertook for this song. Our projects share a similar sonic realm, and our musical history has always been aligned, with both of us coming from a melodic style background and taste.

We’d love to have you walk us through the story of the song. How was it born? When was that moment in which you realized you had something special in the works?

The song began two years ago when Bruce and I initially wrote the track with a different vocalist. We pitched the first version to several labels, but there wasn’t much traction since our style was shifting from our usual Trance 2.0 sound to something darker and more melodic. We sat on the record for over a year, waiting for the right moment or inspiration to bring it to life. That’s when I decided to ask Bren Lock to listen and incorporate his ideas. Instantly, the song had new life, and its identity felt more mature and developed for the current sound both our projects were aiming for.

We sent it to Interstellar, and they loved it! We finally saw the finish line, but then the unexpected happened…

Because it took us so long to fully form the song, the original vocalist decided to pursue a different creative direction and backed out. We were back to square one.

Fortunately, Interstellar was kind enough to help us find a new vocalist and introduced us to Brieanna Grace, who completely transformed the feel of the record into what it is today. Her talent and fresh approach to the topline were beyond perfect, and we are incredibly grateful it ended up in her hands.

Which are some sources of inspiration you can recall as your “muses” for whenever you’re working on a track? Is it, for example, Nature, or past experiences? And what was the spark that ignited the idea behind ‘Make Me Wonder’?

As Fatum, we love drawing inspiration from other songs. Bruce and I have what feels like an audio Pinterest board filled with tracks and the experiences or emotions they evoke, which we then bring into our work. “Make Me Wonder” was no different. Many people listened to and helped shape this record, and through their feedback and the challenges we faced, we were motivated to refine the production and never give up.

I believe it was the initial spark of excitement that started the project, but it was our determination that kept the flame alive.

Fatum is today a duo, but it used to be different. In fact, a handful of people have been a part of Fatum’s history. Would you say the vision you had for the band back in 2014 — when you had your first releases — still holds up to this day? And, do you still hear the influence of Chad and Bill in your sound?

Not many people know that Fatum started as a group of four. While most are familiar with Bruce and me, fewer know about Chad Newbold and the late Bill Hamel.

We have always been, and still are, best friends, and every member of our group continues to influence every release we make—even to this day. Though we deeply miss Bill, his pioneering sound in early trance, progressive, and breaks continues to inspire us. And while Chad has taken on more of a behind-the-scenes role, we couldn’t create any record without his musical touch. We owe so much to these two and are incredibly grateful for the team we’ve built together.

Speaking about your sound, it has been in constant evolution. It’s always been that way. What would you say are key things an artist should do to embrace change, without losing that so-called “signature sound” they are known for?

Evolution is a fundamental part of humanity, and as creatives, being stuck in one sound and repeating the same thing over and over can be demoralizing and exhausting. We believe that while our signature sound will always evolve, the quality and attention to detail will remain constant.

It’s important to be consistent for your audience, but it’s equally important to stay true to yourself—and sometimes, being true to yourself means stepping outside of the box. We’ve allowed ourselves the freedom to always explore that.

You guys are one of the more vocal acts I’ve seen that openly talk about the role of a musician in today’s times. It’s usually a matter of debate, whether an artist should only make music and rarely acknowledge marketing, versus those acts who are social media icons first of all and then take their fame over to music. Two approaches, two results. Would you say there’s any right way to balance creativity in the studio and optimal social media presence?

Speaking for myself (Daniel), I believe social media and marketing have created opportunities for any musician to achieve their dream—whether that’s becoming famous or building a sustainable career doing what they love and being creative.

There’s a lot of resistance among musicians toward social media and marketing because it’s another skill we need to learn to grow effectively, and, to be honest, not many people know how to do it successfully.

The entire music industry, like many others, is evolving right before our eyes. Some might argue that social media has shifted the focus away from the art itself, and in some cases, that might be true.

However, I would argue that in many cases, it’s more about the art—and the artist—than ever before.

All it takes is a creative person doing what they love, learning to use a platform of their choice, and sharing their work with the world. It has never been easier to have your voice heard, your art seen, and, most importantly, to express the real human behind it all.

We are in a new era for small businesses—and for musicians, this is our chance to showcase our art to the world without waiting for others to dictate the direction of our careers.

A good chunk of our readers are actually DJs and producers in the making. Do you have any thoughts or words for those rising artists who look up to you and are somewhat struggling to stand out in a sea of producers all trying to make it in the industry?

Be encouraged! All musicians are navigating the same challenges, but there is hope, trust me!

The traditional path in the music industry is being dismantled, and a new era for independent artists is on the rise. The only way to stand out is to showcase your uniqueness, and the best way to do that is to find a social platform you enjoy, learn how to use it, and consistently put yourself out there.

This is the quickest way to grow your project, music, business, and career. And if you feel lost or need help, please follow us on Instagram at @fatummusic and reach out. We’re here to help.

Final Words

Those words you just read come from two very wise artists. I’ve been following them ever since I first heard the Sunstars remix of their ‘I Ran’ cover, and then they crossed over to Anjunabeats just at the same time I was shifting my likes to Progressive Trance. So you could say I’ve seen them evolve, apply new techniques and approaches to production and, in more recent times, also take the lead in how to become an all-round artist regarding marketing.

Thank you so much Daniel and Bruce for opening up and being quite deep about your answers. And also, big ups for offering to help the community! They may not remember, but back in 2018 I sent them a song for feedback, and they actually listened to it and gave me some notes! So I can testify this positive approach to making music has always been there. You can find them over on their Instagram. Thanks again guys! Wishing you the very best on this nth new chapter of yours, also, most likely, your nth successful chapter too.

The post [INTERVIEW] Fatum Talk Latest Single, Social Media, Making It In The Industry, And More appeared first on EDMTunes.

French Electronic duo and Dance icon Justice closed the largest sports event in style this time, as they provided an extended eighteen-minute musical spectacle at the closing ceremony of the Paris Olympics on Sunday evening. A collection of their most celebrated tracks, including ‘Genesis‘, ‘Love S.O.S.‘, and ‘The End‘, formed the soundtrack as the 2024 Olympic athletes made their final entrance into the Stade de France and the Olympic flame was passed to the next host city, Los Angeles.

‘The End‘, a collaboration with Thundercat, is a standout track from the duo’s latest album — and comeback piece —, Hyperdrama, released in April of this year. Marking their return to the scene after an eight-year hiatus, the LP was received with praise and all-round positive reviews. Following their debut at Coachella in April, Justice have embarked on a worldwide tour, culminating in a headline performance at London’s Field Day later this month, on 24 August to be precise.

The Ceremony

The Olympic closing ceremony, masterminded by artistic director Thomas Jolly, showcased a captivating array of French musical talent. Alongside Justice, the event featured the infectious rhythms of Electro Pop band Phoenix, the ethereal soundscapes of Air, and the innovative beats of DJ/producer Kavinsky. Additionally, singer Yseult delivered a powerful rendition of ‘My Way’, originally a French chanson reimagined in English for Frank Sinatra.

Following the line of the French half of the ceremony, the handover to the forthcoming Olympic host city, Los Angeles, featured performances from iconic American artists. Red Hot Chili Peppers, Billie Eilish, and Snoop Dogg took to the stage, embodying the spirit of California. The handover ceremony reached its climax with quite the moment, as actor Tom Cruise made a dramatic entrance, descending into the Stade de France by rappel and subsequently making a daring escape with the Olympic flag on a motorcycle.

Have a look at the highlights of the ceremony, and witness Justice’s off-screen marvel, right below. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.

[H/T] Mixmag

The post [WATCH] Justice Soundtracked The Olympics’ Closing Ceremony appeared first on EDMTunes.

Hi Lady Decibel, how are you today? To start, can you tell us about your journey from Belarus and the Philippines to becoming a dynamic DJ duo based in Orlando? 
 
Hey there, we’re doing great, thanks for asking! Both our families immigrated to the US back in the 90s. Anya’s family came over in 1992 when she was just three months old. Can you imagine flying to America with a three-month-old? My family moved here in 1998 when I was 8 years old. We’re based in Orlando, Florida now, but we actually grew up in Minnesota, so we know all about those cold winters. 
 
We met during our first year at an all-women’s college in St. Paul, Minnesota. We were super young then—I was already dabbling in DJing, and Anya had never even been to a club before. I used to sneak her into shows, haha. Her first show was Benny Benassi, I think? Since then, we’ve been hooked on the scene. Around that time, I started making a name for myself, becoming the youngest female DJ in town to open for big names like Benny Benassi, Kaskade, and David Guetta. It was an exciting time for Electronic music, as it was just starting to go mainstream. 
 
I still remember 2009 like it was yesterday. That year, Dance music really took off in America. David Guetta’s album ‘One Love’ dropped, and tracks like ‘Memories’ with Kid Cudi and ‘Sexy B****’ with Akon were being played everywhere. The next year, I got to open for David Guetta at a sold-out show in Minneapolis when I was just 19. It was a wild ride! 
 
Your music blends House and Techno. How did you develop this signature sound? 
 
We’ve always been huge House fans and primarily played House music, but lately, Techno has really caught our attention. We didn’t listen to much Techno before because it didn’t click with us—probably because it lacked the melody and vocals we love. But in the past few years, Techno has gone through its own renaissance. Artists like Layton Giordani, Eli Brown, and Lilly Palmer have taken the genre by storm, pushing it in new creative directions. 
 
Right now, Lady Decibel is going through a big shift in style and sound. Our earlier releases were mostly House, but we’re now moving towards a mix of Dance and Techno. It’s like a blend of old-school Eurodance from the Y2K era with modern Techno. We’ve got a lot coming in the second half of this year, so stay tuned—we can’t wait to share our new sound with you! 
 
With roots in such diverse cultural backgrounds, how would you say your Filipino and Belarusian heritage influence your creative approach?  
 
Our families were all about karaoke, haha. Music was a huge part of our childhood. I’m Filipino, so I grew up with a baby bottle in one hand and a microphone in the other. Anya’s family loved their Russian karaoke parties too. Anya was really into Euro stuff like Eurodance, Europop, and mainstream Dance, while I was all about House and Dance. 
 
What Artists or genres would you say have inspired your style the most? 
 
The biggest influence on our music – Rollergirl.  She’s a German act that took Europe by storm in the 2000s. I was about 14 when first heard “Luv U More”, and it’s one of our favourite Dance songs to date. Another huge influence was the Russian pop-duo t.A.T.u. Their career was nothing but controversy, but musically, their stuff was really, really good. 
 
Have you faced any challenges as a female DJ duo in a male-dominated industry, and how have you overcome them? 
 
So far, with Lady Decibel being this early on in the game, we haven’t faced any major challenges quite yet. However, being taken seriously in the industry is super important. With the internet and social media blowing up over the years, we’ve seen a lot of female DJs making their mark. But sometimes, we question if they’re genuine. On YouTube, you’ll find quite a few female DJs in provocative outfits, like full-on bikinis behind the decks. Is that really necessary?  
 
It makes you think—are they truly passionate about the music, or is it more about gaining followers and attention on social media? Plus, young kids, especially little girls, are going to look up to you. Is that really the image you want to project? 

How do you approach creating a new track? What is your typical workflow from concept to final production? 
 
We use Ableton Live and, honestly, 95% of the tracks we start are finished the same day. We believe the best songs come together in one day. From our experience, if you keep coming back to a track day after day, you can lose the main idea, and it just doesn’t sound as cohesive. 
 
Our process usually starts with finding a good vocal sample. Once we have that, we build the entire song around it—drums, bass, melodies, everything. We believe the voice is the best instrument, and if you have a track centered around a strong vocal, it usually ends up being really catchy and enjoyable. We aim to create tracks that people want to listen to over and over, whether they’re streaming it somewhere or hearing it on the radio. All our newest unreleased tracks were made with this approach, and we can’t wait to share them with everyone! 
 
For someone new to your music, which track would you recommend as the perfect introduction to Lady Decibel’s sound? 
 
So, our current catalog is kind of our “old” sound. It was all about experimenting and figuring out who we are as artists in the industry. Now, we’re shifting to a newer, fresher style of Dance and Techno. This is going to be Lady Decibel’s new signature sound from here on out, so keep an ear out for our future releases! 
 
How do you see the role of female DJs evolving in the future, and how do you hope to contribute to this evolution?  
 
We think female DJs are really starting to get the spotlight and influence they deserve in the music industry. With social media blowing up and everyone talking about diversity and inclusion, we see more and more opportunities for female DJs to shine and get the recognition they deserve. Personally, we want to be part of this wave by pushing boundaries and challenging old stereotypes. By putting out top-notch performances and fresh tracks, we hope to inspire other women to chase their dreams and help create a more welcoming and supportive scene for everyone. 
 
 
Can you share how you prepare for a live set? What do you aim to convey to your audience during your shows? 
 
Our set preparation process is a bit different compared to a lot of touring DJs. Some DJs play totally different sets every time, picking tracks on the fly based on the crowd, while others stick to mostly the same stuff from venue to venue. Many touring DJs only play about 20% of their own tracks live, but think about it—people came to see YOU. They want to hear YOUR songs and YOUR remixes, right? 
 
Our approach is more like live artists or bands. They usually have pre-planned sets with their own songs and maybe a few covers. We’re the same—if you come to a Lady Decibel show, you’ll hear mostly Lady Decibel tracks and IDs. We aim to play at least 50% of our own tracks or more in each live set. And just to be clear, pre-planned doesn’t mean pre-recorded. Every single show will be played live. 
 
We’re all about bringing back the vibe of the old rave days from the 90s and Y2K era. We want to revive that loving, carefree energy—everything that PLUR stood for. We’re talking stage dancers, bright colors, fur, and faster BPM Dance music. We want to truly bring back the rave and everything it represented. 
 
 
That’s what Lady Decibel is all about. It’s about reviving Dance music, bringing back that vibe, and uplifting the culture. Because at the end of the day, it’s not just about us, it’s about the people, the community, and the music that unites us all.  
 
Looking ahead, what goals are you hoping to achieve next? 
 
Lady Decibel’s future is shaping up to be really exciting. Right now, we’re focused on introducing our fresh sound, and looking ahead, we’re planning to release an album and go on our own tour. It’s our first year, and we’re ready to bring Dance and Techno to the forefront. Stay tuned for our upcoming releases! 

We wrap up this interview by thanking Lady Decibel for their time and for sharing a deeper look into their journey so far. From their roots in Minnesota to making waves in Orlando’s Electronic music scene, they embody the evolving landscape of Dance music and the increasing influence of female DJs. With a fresh new sound on the horizon and exciting plans for the future, Lady Decibel is set to continue leaving their own mark in the industry, so stay tuned for their upcoming releases and follow their journey, as this is just the beginning. 

Lady Decibel Online 

Website | Spotify | Instagram 

The post Inside the World of Lady Decibel: The Up-and-Coming Duo Making Waves appeared first on EDMTunes.

*Featured Cover Image Courtesy: Aphelion Music/YouTube

‘Tyrant’ from Fatum and Binaryh provides that extra boost to one’s night and day

Regarding the track ‘Tyrant‘ from Fatum and Binaryh, it started off very strong before it mellowed down near the one-minute mark. Then, the kick drums in the track unveiled a club vibe that felt like it could provide that awesome feeling inside an underground venue. However, it is also a track that can be played in any setting at any time of the day.

Anyone who likes Electronic music (or is aware of the trends in the industry) can see how Techno, no matter the style, is becoming very popular these days. As a result, one can possibly hear ‘Tyrant’ at a bigger venue as well, not just at the aforementioned Afterlife Chile but also also festivals such as Tomorrowland, Coachella, UMF, EDC, and much more. Click ‘Play’ on the Spotify link above to hear this amazing track, which can be the perfect start to one’s day or end to the night.

The post Fatum and Binaryh Unleash Addicting Techno Banger, ‘Tyrant’ appeared first on EDMTunes.