LJ Hawk – High (ft. Ash)

Australian producere LJ Hawk’s debut original “Love on the Pyrmont Bridge” was a slow n’ sexy house groove with hints of nu-disco vibes and infinite potential for good vibes. In a time when every other emerging artist is trying to create the next anthem of mainstage banger, offerings of this style and quality come as a massive refresher, and we like to think LJ Hawk is the refreshing producer you’ve all been looking for. “High” continues the trend as a follow up with plenty of creamy sounds and groovitude; featuring vocals from Ash, this piano-laden house classic takes listeners down a dreamy exploration of warm summer memories, hot nights, and good friends. Juxtaposing it’s dark synths, soft house-y beats, and lofty vocals gives this track a dynamic most lack to really make things pop. We’re happy to premiere this with you all, and encourage you to check back on September second when it officially drops to through your support to this up n’ comer. Check “High” out now, and let us know what you think!

LJ Hawk – High (ft. Ash) | Available Sept. 2 | Sunstroke Recordings

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This has not been a good week for Avicii. The superstar’s high-profile feud with deadmau5 seems to be dying down, but that doesn’t mean he’s in the clear. Thanks to Starkillers, Avicii has found himself involved in another controversy.

After Avicii tweeted about his latest remix, Starkillers responded by accusing the Swede of stealing “Bromance” from him.

@Avicii WAS it an honor to steal bromance from me? Bro after a month of work you and your manager ASH stole that shit.

— Starkillers (@Starkillers) July 31, 2015

Avicii released the single, as well as the vocal version “Seek Bromance”, back in 2010 when he was performing under the name ‘Tim Berg’. “Seek Bromance” was essentially his breakthrough single, charting in 20 countries and receiving gold status in 3 of them.

Starkillers is also no stranger to hits, as the American producer has 12 Beatport #1’s under his belt. He claims that the two worked on the track together and when it came time to release the tune, Avicii, and more notably his manager Ash Pournouri, failed to give him any credit. In his Twitter tirade, Starkillers includes a video of what seems to be a rough demo of “Bromance”. He also goes on to imply similar events occurred in regards to Avicii’s song “Collide” and debut album True.

Check out Starkillers’ series of tweets below and while you’re at it, give “Seek Bromance” a listen.

You know ur doing it RIGHT!!! when others managers steal your ideas. For there clients. #wrongguy u won’t be able to keep up. #creative — Starkillers (@Starkillers) July 31, 2015

Look I’m not going after @Avicii it wasn’t him at the time it’s his management. Guiding him to greatness. Just thought u all should know!!! — Starkillers (@Starkillers) July 31, 2015

The bromance by @Avicii 2009 pic.twitter.com/Si4gIhFoLj — Starkillers (@Starkillers) July 31, 2015

I then told my music partner I said damn that sounds so familiars Austin said that’s the last track u worked on with tim the one — Starkillers (@Starkillers) July 31, 2015

I could comment on the collide record and the true album but I’ll leave it at that 😜 have a good one twitter. — Starkillers (@Starkillers) July 31, 2015

I’m sure there is a lot of artists in the biz that have some thing to say about this kids manager but won’t. I’m NAmerican I stand up. — Starkillers (@Starkillers) July 31, 2015

@Avicii at my house in vegas whet I took him to his first strip club oh yeah that’s @steveduda and his lovely gf. pic.twitter.com/k6xHzpd3da — Starkillers (@Starkillers) July 31, 2015

@aviciists_ @aviciifamiIy the manager has to get approvalfrom@the artist if ash he did it on his own then he shouldn’t be a manager. — Starkillers (@Starkillers) July 31, 2015

H/T: We Rave You

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One thing is for certain: contemporary music culture is performer-centric.  The DJ standing on the platform with his name on the club marquee, the band’s lead singer who belts out the song you know every word to and the legendary star gracing the stage with years of hits under her belt… It’s these people who are society’s primary focus when it comes to the music industry.

But how often do you think about the men and women behind the music? The ones who collaborate with the industry’s biggest names by writing, producing and providing their vocals? In the same vein they say it takes a village to raise a child, it takes a team to make a bona fide hit record.

Meet RAS, the 28-year-old singer, songwriter and producer who has worked with everyone from Krewella to Steve Aoki, Diplo, All Time Low and 5 Seconds of Summer.  Oh yeah, and he’s responsible for Avicii’s “The Nights.”  When you listen to the track, which is essentially an Irish drinking song meets a more mainstream pop/rock anthem infused with Avicii-brand euphoria, those are his lyrics (co-written with friends Jordan Suecof, Gabriel Benjamin, and John Feldmann) and that’s his voice singing every word.

Sitting in his home in Woodland Hills, California, RAS speaks knowledgably about the music industry and its processes but with an affable approachability that makes you feel instantly connected.  One of his favorite lines is “Dude, this is gonna sound nuts,” and, to be honest, a lot of what has transpired in RAS’s career is what mythic stories about “making it in the biz” are made of.  But it’s because a recurring theme in the story of RAS’s life is making bold moves and savvy connections.

RAS was born Nick Furlong in Sacramento, California and he grew up in Minden, Nevada, right near the California/Nevada border.  In a small town with few creative outlets, Nick fended for himself.  His career as a vocalist began on a small scale: Nick would buy cassette tapes of popular songs at the local music store, JJ’s Ear Candy, before recording his own versions over the instrumentals at home on his karaoke machine.  Using his family’s Dell computer, he would copy and paste together layers of beats and vocals, meticulously saving each version as his pieces slowly evolved.  He credits the website www.mp3.com for transmitting his music to a broader audience.  “It was a great platform for independent artists, I just remember so many artists got their start on that website including me.  I used to put my stuff up and eventually a music director from Midway Games caught wind of my stuff and asked me to start making music for video games.  So I started doing that and through high school that was how I made a little bit of money.”

After high school RAS entertained the idea of college but decided instead to pursue music fulltime.  He says he was determined to fulfill the “good old-fashioned stereotype story of ‘small-town kid moves to LA and makes it.’”  He moved away to San Diego (the closest city to Los Angeles where he had a place to stay) and continued to make industry connections on Myspace and mp3.com.  About every three days, he’d make the drive from San Diego to Los Angeles to meet and work with other songwriters and producers.

He says, “I remember I fell into working with some people where it enabled me to actually get my first apartment in LA.  At that point I didn’t take it for granted, I was like I’m going to network and meet everybody and work with everybody and put my songs everywhere.  I used to call record labels and be like, ‘Hey David Massey, this is so-and-so who works at Universal and I have so-and-so for you,’ and as soon as David would get on the phone I would say, ‘Hey dude, I worked for so-and-so but I just want to send you this guy’s music, he’s really good.’”

All the networking and the cold-calling definitely paid off.  His sounds caught the ear of OneRepublic’s Ryan Tedder, who signed him to his label.  RAS describes hearing the news: “At that point it was like all my dreams came true.”  His connections in the music industry respect “that hustle that not a lot of people have – you just kind of have to be relentless and so I was.  I guess my relentlessness allowed me to stay.  I’ve been here ever since.”  Of course, David Massey is now president of Island Records, the label that released Avicii’s The Days / Nights EP alongside PRMD Records on December 1st, 2014.

Which brings us to “The Nights,” the folksy, retrospective drinking-song accompaniment to the sunny, sentimental single “The Days.”  Both tracks embody a seize-the-day mentality so it makes sense that they were paired together on the The Days / Nights EP.  RAS and his friends had kicked around the idea of combining an Irish drinking song with modern rock/pop sensibility to create “weird pirate music, sort of like a more mainstream Flogging Molly.”  On a trip to Galway, Ireland, RAS starting writing lyrics down in a pub one night.  He says, “It tells the story of where I was.  You can picture me sitting in that bar at that moment with this cold weather and it’s crazy and you walk outside and there’s not a sound or a person for miles but you walk in and it’s just loud, music, clanking of glasses – totally what you would expect. I came home and I went straight to the studio with Jordan and Gabe and as soon as Gabe started playing that lick on the guitar, I don’t even know, I feel like I blacked out.  But an hour from that moment we had this song… we just were like, ‘What can we do with this?'”

RAS felt the answer was to reach out to Ash Pournouri and Avicii, two men he calls “pioneers in this ability to merge genres without stepping on one another,” a task that’s easier to envision than execute.  As RAS puts it, “It’s a really, really hard and difficult task to be a producer who can take two genres and let them live and cohabitate together without overproducing or making them seem like there’s friction in between and they’re fighting to compete for the spotlight.” He found an old email that had Ash copied on it and sent him an email with the story of the night in Ireland.  Ash responded that he was interested in the track so RAS sent over their version. “I sent it to him and then nothing for a week.  And then out of nowhere he’s like, ‘I think we can do this, we’ll want to rework some things but this is great.'” They began to collaborate, tweaking bits and pieces to create the final product. RAS says Ash is “the only manager and executive producer I’ve ever worked with in my career who sent me actual music sheets telling me which notes to change and things like that. It was really, really down to the nitty-gritty little details but it made it what it is and it turned it into this great record.”

For the music video, RAS envisioned enlisting “professional life liver” Rory Kramer.  He pitched him to Ash by editing together a mockup video from Rory’s past work.  From that mockup, Rory put together the final product, which he produced, directed and starred in.  RAS says, “It’s a real story about a kid’s life and he’s doing exactly what I’m telling people to do. I thought it was a great representation of my song.”

He worked with Steve Aoki on “Singularity,” featuring Kay on the vocals. Steve came to RAS with “Transcend” and explained that he wanted to turn the instrumental version into a single and he needed vocals to do so.  RAS says, “At that time I was so used to writing rock music… for something like that where the instrumental already existed it was really hard. I started studying other songs and listening to a lot of electronic music and I just noticed this thing of very visual lyrics and very poetic sort of lyrics.”  With that observation, RAS reworked his original concept for the song, recorded the vocals and transformed the instrumental into the single “Bring You To Life (Transcend).”

These days, RAS is staying busy collaborating with artists as diverse as All Time Low, Hook N Sling and Mr Hudson. He’s writing with Krewella for their new album; amidst the controversy surrounding ex-bandmate Kris Trindl, he says, “The girls are growing… the sound was going to evolve regardless.” He worked side by side with All Time Low on their next album, Future Hearts, due out on April 7th.  He’s also writing with Australian pop-punk sensation 5 Seconds of Summer on their second studio album.

Reflecting on his successes, his advice to anyone else dreaming of defying the odds and making it in the music industry is short and sweet. He says, “You just have to trust yourself and just know what you’re doing is what you want to be doing. Just be relentless and be able to develop thick skin, you’re going to need it [laughs].”

Photo Credit: Nick Furlong

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As a manager and a marketer, there are few like Ash Pournouri.  Discovering a young Tim Bergling online led to the tandem tour de force that catapulted the two Swedes to the upper echelon of international stardom.  By collaborating with Tim to create Avicii, Ash revolutionized the music industry, serving as the catalyst to the cultural phenomenon that is contemporary dance music.  The visionary manager and entrepreneur sat down for an interview with Swedish news outlet EFN.  In just under 30 minutes, Ash succinctly describes his start in the music industry, the importance of marketing in management and the hardships that go hand-in-hand with incredible success along with invaluable insight and advice for anyone trying to carve their own path. We’ve selected Ash’s choice quotes from the interview below; you can check out the full interview in Swedish with English subtitles here.

On creating Avicii with his client Tim Bergling
“It’s about teamwork. I wouldn’t be this successful without Tim.”

On going to law school
“Everyone should know what their rights are.”

On pursuing a career in dance music
“I felt the need to educate people around me how you’re supposed to listen to this music. That was my agenda. That was my mission.”

On crafting a narrative as a manager and marketer
“A trademark requires a story.”

“All of our projects and campaigns have stories that have been created around them.”

On crafting a cultural movement
“We don’t want anyone saying that we’re not producers, that this isn’t music. It’s all about showing people what house is. EDM should precede all preconceptions. It could be anything. It’s like a modern orchestra.”

On the music industry’s evolution
“The music industry constantly reinvents itself in order to survive.”

“Music is the front-runner of change.”

On the intersection of business and art
“Everything we do is based on creativity. According to me, sales and negotiations are art forms.”

On the ethos of his company, At Night Management
“My organization is value-driven. We spend a lot of time and money assisting talented people getting their message across.”

On creating change and moving an industry forward
“There’s hope that you can impact the music industry. We managed to do that, in a short period of time, being nobody in the industry. We were just two guys out of Stockholm. That gives me hope to this day. You can make changes.”

On standing out in today’s music climate
“You have to be creative and have high quality.”

His advice to young entrepreneurs and those with a vision
“From my point of view, everything’s possible. Even though it might seem impossible.”

“Never underestimate hard work. That’s required, no matter what idea you have.”

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